Common Folk Music

Common Folk Music has moved to Wordpress

2011-07-26T21:13:00.000-04:00

I've decided to move Common Folk Music to Wordpress since Blogger no longer meets my needs and is getting more difficult for me to work and post with constant error messages. I will continue to keep this site open for archival purposes, but for new posts you can find them at www.commonfolkmusic.wordpress.com. Thanks for you support while at this address and I look forward to having you at my new site.

Phil Cook & His Feat - Hungry Mother Blues

2011-07-19T16:40:00.002-04:00

Megafaun member, Phil Cook is standing out and alone on his new album, Hungry Mother Blues. A completely instrumental record, Cook pays homage and shows reverence to a musical heritage by playing country-blues style guitar, resonator, and banjo. His musical awareness and tasteful compositions shine as he plays a single instrument with a relaxed passion and a personal message all the while tapping out time with his Feat . Each track on Hungry Mother Blues is dedicated to someone in Cook's life, whether it be a friend, a bandmate, or his unborn child and acts as a soulful, countrified instrumental love letter to these special people.

Hungry Mother Blues was recorded in a single day in the back room of Cook's North Carolina home during a rare ice storm. Unlike his 2009 recording which was taped during a violent thunderstorm, this record bares no sign of the weather. Instead, Cook's love for music and loved ones emanates through the songs providing the album with a warm and friendly vibe.

Opening with the breezy and melodic "Frazee, Minnesota," the album moves into other brilliant and artful tunes, each possessing a character of its own, like the people they have been written for. The folk banjo in "Waiting 'Round the Oven Buns" is playful while the dobro work on "Lament and Lullabye" is graceful and gentle. There's added drama and purpose in the the bluesy resonator on "Ballad of a Hungry Mother" and a confidence can be found in "Last Steam Engine Train," a tribute to John Fahey. Ending on a melancholy note with "The Jensens," Hungry Mother Blues is a wonderful celebration of life and people through music. It's a great casual listen. Lasting a total of 20 minutes, the album is perfect for a summer afternoon spent on the porch sipping lemonade.

Stream & Purchase Hungry Mother Blues via bandcamp

06 - Ballad Of A Hungry Mother - Phil Cook and His Feat

For Your Sunday Afternoon Viewing Pleasure: Phil Ochs - "The Highwayman"

2011-07-17T13:16:00.001-04:00

Today, on "For Your Sunday Viewing Pleasure," I've decided to go old-school folk with Phil Ochs performing his rendition of my favorite ballad, "The Highwayman," written by Alfred Noyes.

Set in 18th century England, the narrative tells the story of a highwayman (a thief), who in love with the innkeeper's daughter, Bess, is betrayed to the authorities by the jealous stableman and escapes the ambush when Bess gives her life to warn him. Then, upon learning of her death, the highwayman avenges Bess' death only to be shot. However, death couldn't keep the lovers apart and on the "still of a winter's night" the lovers meet again.

The ballad's vivid imagery and repetition, and Ochs' fast fingerpicking conveys a sense of both urgency and danger. And, though, this version has missing verses, Ochs still created an absolutely beautiful and haunting song. It brings a tear to my eye each time.

Sean Siegfried - Backwoods

2011-07-16T21:51:00.002-04:00

Sean Siegfried is folk guitarist from the United Kingdom who has been influenced by the work of Bert Jansch, Nick Drake, John Fahey and Dave Evans. After spending three years in the film industry, Siegfried has developed the skill of editing as well as the ability to create mood with just a six-string acoustic guitar. His debut album, Backwoods, is a very short collection of six, self-penned solo guitar instrumentals which were written and recorded during the early months of 2011 in rural Devon. Mixing classical and contemporary guitar styles, Backwoods is theatric and melodic in a deeply calming manner.

Stream and Purchase Backwoods via bandcamp

<a href="http://seansiegfried.bandcamp.com/track/apples-in-winter">Apples In Winter by Sean Siegfried</a>

<a href="http://seansiegfried.bandcamp.com/track/ashill">Ashill by Sean Siegfried</a>

Frederick Squire - Frederick Squire Sings Shenandoah and Other Popular Hits

2011-07-16T18:10:00.003-04:00

Frederick Squire Sings Shenandoah and Other Popular Hits is the second album from the elusive Canadian folk singer-songwriter. Released shortly after Squire's 2010 debut March 12, the album was simply recorded with Squire sitting in a chair with two microphones around as he played the guitar, pump organ and sang.

Frederick Squire Sings begins with the obscure and classic folk song, "Shenandoah," which dates back to the early 19th century, and continuing with the dusty sound up to the closing folk instrumental, "Theme From a Small Town." With deep vocals that slightly rise above a hush, Squire's voice has a way to make even the heaviest of subjects easier, and the album, a way to transport the listener to a quiet, sepia toned world where floorboards creak, the screen door squeaks, and wind gently blows through an open window.

Purchase Frederick Squire Sings Shenandoah and Other Popular Hits

Frederick Squire on MySpace

05 All Things Past Serve To Guide You On Your Way - Frederick Squire by commonfolkmusic

Pickering Pick - Tiger Balm

2011-07-16T11:41:00.004-04:00

Pickering Pick's newest album, Tiger Balm, was released via Yer Bird Records on June 21. A collection of beautiful ballads enhanced by Sam Pickering Pick's innate understanding of music and his way with words.

Originally from the United Kingdom, Sam has been living in the United States for eight years and now calls Sacramento, California home. And, it's his English roots that may have helped him perfect these modern day ballads. As his faint English accent drifts amidst the soft acoustic guitar, simple melodies, and poetic lyrics, you're drawn into his personal world of gentle emotions becoming intimately connected to Pickering Pick and the album.

Purchase Tiger Balm
Yer Bird Records' Website

Pickering Pick - "Like A River" by Yer Bird Records

Mark Jungers - More Like a Good Dog Than a Bad Cat

2011-07-12T04:25:00.001-04:00

Mark Jungers' new album, More Like a Good Dog Than a Bad Cat, is unadulterated Americana. A rootsy collection of tracks about a dead dog, coming of age, and love, Jungers went without digitally editing the record giving it a natural, free-flowing feel. Showcasing Jungers' songwriting talents, More Like a Good Dog has Jungers writing or co-writing all but one song on the disc, the vintage, bluesy rocker "Heel to Toe," which was written by Phil Stevens. He also receives help from superior songwriters Owen Temple on "Can't Take it With You" and Adam Carroll on "It's All You" and "Swinging in the Wind." Another well known Texan, Susan Gibson, who wrote the hit "Wide Open Spaces" lends her vocals on "Riverdown" and "Tired of Being Lonely," which Carroll also makes a vocal contribution. Opening with an infectious gospel inspired "Show Me a Sign," moving into the twangy "Riverdown," and ending with the witty "Swinging in the Wind," More Like a Good Dog Than a Bad Cat is a seamless album from front to back.

Purchase More Like a Good Dog Than a Bad Cat

Mark Jungers' Website

02 Riverdown - Mark Jungers by commonfolkmusic

The Water Tower Bucket Boys - Sole Kitchen

2011-07-12T02:38:00.002-04:00

An indie-bluegrass-folk group hailing from Portland, Oregon, The Water Tower Bucket Boys add a modern twist and a harder edge to the old timey sound of the Blue Ridge. Their new album, Sole Kitchen, released in April is a catalog of progressive square-dancing tunes influenced by the band's trips to Europe and their time spent on street corners along the west coast as well as by bands like Velvet Underground, Chuck Ragan, Mumford & Sons, Wilco and others making it a mad musical experiment that went right.

Opener "Crooked Road" is a great introduction to Sole Kitchen and The Water Tower Bucket Boys' sound. This cautionary hillbilly tale about finding a 'Shiner making Moonshine ("the secret of the hills") varies in style and pace. Beginning with a Southern, New Orleans jazzy, bluesy vibe that accelerates in the chorus with a barn-burning bluegrass featuring fiddle, mandolin, banjo, and upright bass. In the next song, "Fromage," the nimble banjo and the old-timey influence does not get lost in the brisk instrumentals. Then, things slow down with an acoustic guitar and a quietly chiming mandolin in "Telegraph." Instead of drinking white whiskey in the hills of the South, the Boys are hanging out and songwriting about their strange experiences and encounters in Berkley, California. The fiddle-flooded "Bread" and "Blackbird Pickin' at a Squirrel" are a models of modern square dance tunes while "Since You've Been Gone" has a somewhat traditional country flavor. "I'm Not a Stranger" forgoes the blatant traditional bluegrass and country influences and turns to a modern folk with an unusual three-part harmony. Finally, Sole Kitchen closes with the catchy country-folk "Heaven" and is the only song on the album that uses drums.

So, with that being said, The Water Tower Bucket Boys are not your typical folk-bluegrass-roots band and Sole Kitchen exhibits their uncommon and distinctive style. An album with a contemporary rusticity that could be played at any barn-dance or bar from here -- West Virginia -- to the Pacific Northwest.

Purchase Sole Kitchen
The Water Tower Bucket Boys' website

Crooked Road by Water Tower Bucket Boys

Blackbird Pickin At A Squirrel by Water Tower Bucket Boys

For Your Sunday Afternoon Viewing Pleasure: Jim White - NPR Tiny Desk

2011-07-10T12:50:00.000-04:00

On "For Your Sunday Afternoon Viewing Pleasure" I have decided to post Jim White's Tiny Desk Concert performance at NPR Music. I wanted to hear good stories from a great and funny storyteller who writes compelling songs about himself and not "you." An honest man who doesn't take himself too seriously, he has to be one of more interesting musicians and people in the business. He has lived an ecclectic life and in a sense has become a jack of all trades.

Jim's songs are unique and his music has been deeply impacted by his history. Born in Flordia and raised with a Pentecostal upbringing, he was deeply influenced by the white gospel music of his childhood. From Flordia, Jim began an unusal journey before becoming a full-time storyteller and musician. He was a comedian, fashion model, a boxer, preacher, a professional surfer, and a New York City cab driver. Jim also attended New York University's film school.

His albums Wrong-Eyed Jesus (1997), No Such Place (2001), Drill a Hole in That Substrate and Tell Me What You See (2004) and Transnormal Skiperoo (2007) were acclaimed alt-country masterpieces and established Jim as an unconventional talent. Furthering his reputation, Jim also stared in the BBC film inspired by his song "The Mysterious Tale of How I Shouted Wrong-Eyed Jesus" entitled Searching for the Wrong-Eyed Jesus which explored Southern culture and religion through music and stories.

Jim White's Myspace

Blitzen Trapper - "American Goldwing"

2011-07-09T16:14:00.000-04:00

On September 13, Portland-based experimental roots rockers Blitzen Trapper is set to release American Goldwing, their follow-up to 2010's Destroyer of the Void and sixth full-length album. The band dropped the nostalgic, harmonica imbued title track which is available below in exchange for an email address.

Blitzen Trapper's Website

Sub Pop Records' Website

Get dirty with The Dirty Beggars

2011-07-06T19:18:00.000-04:00

The Scottish bluegrass quintet, The Dirty Beggars, maybe dirty or they may not, but they most certainly won't be begging after the release of thier upcoming debut album. But, while waiting to release their album, the band has been gathering a following and generating buzz on UK's Americana, country and bluegrass scenes and performing at the Edinburgh Fringe Festival as well as at the renowned Celtic Connection.

In July, the band will be begin a small tour around London which should be foot-stomping, hoedown-having good time that should not be missed. So, go, have fun and get dirty with The Dirty Beggars.

Tour Dates:
July 10 - The Brentwood Festival, Essex
July 11 - Owlsworld @ The Old Barn, Herts
July 12 - The Windmill Brixton, London
July 13 - The Betsey Trotwood, Clerkenwell, London
July 14 - What's Cookin @ The North Star, Leytonstone, London

The Dirty Beggars on Facebook
The Dirty Beggars' Myspace

The Dirty Beggars - Too Tired by The Dirty Beggars

The Dirty Beggars - Hey Hey by The Dirty Beggars

Peter Katz is ready to make new album and he wants your help

2011-07-03T14:39:00.000-04:00

After writing a wealth of songs, Peter Katz has just announced that he is ready to head to the studio to record a new album. And, as with his last album, The First of the Last to Know, Peter is asking his fans to participate and assist with the record's funding through his Perks Campaign. For more information about helping Peter watch the video below and/or visit Peter's Perk-Filled Campaign.

Peter Katz's Website

For Your Sunday Afternoon Viewing Pleasure: Bruce Springsteen - "Youngstown"

2011-07-03T11:50:00.003-04:00

On this 4th of July holiday weekend, I have had Bruce Springsteen's "Youngstown" playing around in my head. Now, I know this isn't a song that instantly comes to mind when one thinks of Independence Day since it's a workers' song lamenting the loss of jobs and a thriving steel and iron industry in Youngstown, Ohio. But, it's also a fitting tribute to those blue collar workers who worked to support the various war efforts that helped to maintain our freedoms.

Q&A with Vermont's favorite band, Chamberlin

2011-07-01T13:48:00.004-04:00

Chamberlin is a great new band from Vermont. Recently picked up by Roll Call, the group released their excellent debut album, Bitter Blood, in March. Written in a cabin located in the woods of Vermont, the album has a down-to-earth, woodsy feel that is extremely accessible and familiar to everyone. Produced by Grace Potter and the Nocturnals' guitarist, Scott Tournet, the album is an expert blend of acoustic and electric textures that harbor some likeness to My Morning Jacket and Grace Potter thus instantly grabbing the listener's attention. If I had one major complaint about Bitter Blood it would be that it's not long enough and my brief encounter left me wanting more. And, if you're like me, left wanting more, you can catch them on tour this summer with Carbon Leaf. You can also read my interview with Chamberlin discussing their recent tour with Grace Potter and the Nocturnals and their current summer tour.

CFM: What was it like for the band to be picked up by Roll Call soon after recording the demos for Bitter Blood, then, soon after signing, working with Scott Tournet and recording the actual album?

Chamberlin: It all happened really quickly. We'd been working on demos all winter and spring and once we signed with Roll Call, the plans for our first record fell right into place. Scott heard a few acoustic tracks and set aside almost all of his rare free time in Vermont to work with us. He really helped us along every step of the process from choosing which songs to record to tweaking the settings on our amps. Between Roll Call and Scott, recording "Bitter Blood" was a great experience.

CFM: What was it like to go on a cross-country tour with Grace Potter and The Nocturnals?

Chamberlin: The tour with Grace and company was our first real experience being on the road and we loved it. When we were offered the dates we had to rush and find a van and a trailer to even do the tour. Once we actually got out on the road though it was amazing. Everyone in Grace Potter and the Nocs and on their crew were great to us and helped us figure out what the hell we were doing. We also got to play some of the coolest venues in the country (like the Fillmore in San Francisco). We really didn't have anything to complain about.

CFM: Describe the backstage and on-stage experience of your first show on the Grace Potter tour.

Chamberlin: Oh man. Our first show with GPN was in Lexington, Kentucky. The last time they had played there they opened for Gov't Mule so the crowd was of the harder-edged, rowdy sort (not at all an indictment of Gov't Mule fans as a whole). It was a huge room too so needless to say we were pretty intimidated. We'd never had a real dressing room with food and booze etc so we were in heaven. The show ended up going really well and no one threw beer bottles at us.

CFM: What excites you the most about the upcoming summer tour?

Chamberlin: We're pumped to go out west again. We love California and the Pacific Northwest. It’s also nice to be on the road during the summer when weather is less of a worry for our little van. We are opening for Carbon Leaf the whole tour and we've heard such great things about those guys. Should be really fun.

CFM: You have toured and will tour the western half of the country more than the east. What do you miss most about the east coast and Vermont?

Chamberlin: We have been out west a lot this year. Playing the east coast is great because we have so many friends. We did a 10-day tour earlier this summer and didn't need a hotel once. Plus some of these friends even cooked for us! Also all the cities are so conveniently close to each other. No 16-hour drives. No matter where we are though we miss Vermont. It’s our home and most of our families are there we just love the place (even in the dead of winter).

CFM: You've only ever done a handful of shows in Vermont, what will it be like to do a show there on this tour?

Chamberlin: Though rare (and perhaps because of that) our Vermont shows are always the best. Our friends and families always hear about what we’re doing out on the road so it’s nice to actually come back and play for them and show them how we’ve evolved and improved. Plus we'll be playing on the Burlington Waterfront with Grace Potter for her Grand Point North Festival, which is something we've always wanted to do.

CFM: What are Chamberlin's plans when the tour is finished?

Chamberlin: Hopefully we'll have a little time off to relax, write and record but we love being on the road. We get a little stir crazy when we have too much time off so hopefully we can get right back out there. It keeps us out of trouble when we're busy.

Purchase Bitter Blood

Chamberlin's Official Website

Tour Dates:
July 11 - Festival On The Green - Middlebury, VT
July 13 - Belly Up w/ Grace Potter and the Nocturnals - Aspen, CO
July 14 - Howelsen Hill Amphitheater w/ Grace Potter and the Nocturnals - Steamboat Springs, CO
July 15 - Grand Targhee w/ Grace Potter & Sharon Jones - Alta, WY
August 2 - Songs @ Mirror Lake - Lake Placid, NY
August 12 - Stanhope House - Stanhope, NJ
August 13 - Grace Potter's Grand Point North Fest w/ Taj Mahal & more! - Burlington, VT
August 20 - River Roots Live Festival - Davenport, Iowa
August 23 - Bottleneck w/ Carbon Leaf - Lawrence, KS
August 25 - Bluebird Theater w/ Carbon Leaf - Denver, CO
August 27 - The State Room w/ Carbon Leaf - Salt Lake, UT
August 29 - Sainte Rock w/ Carbon Leaf - Hermosa Beach, CA
August 30 - Soho w/ Carbon Leaf - Santa Barbara, CA
August 31 - The Independent w/ Carbon Leaf - San Francisco, CA
September 2 - Mississippi Studios w/ Carbon Leaf - Portland, OR
September 7 - Varsity Theatre w/ Carbon Leaf - Minneapolis, MN
September 8 - Majestic Theatre w/ Carbon Leaf - Madison, WI
September 11 - The Ark w/ Carbon Leaf - Ann Arbor, MI
September 13 - HOB Cambridge Room w/ Carbon Leaf - Cleveland, OH
September 14 - Tralf Music Hall w/ Carbon Leaf - Buffalo, NY
September 15 - Water Street Music Hall w/ Carbon Leaf - Rochester, NY
September 24 - Mid Point Music Festival - Cincinnati, OH

01 Fools - Chamberlin by commonfolkmusic

Q & A with Lauren Shera

2011-06-30T20:52:00.000-04:00

Lauren Shera's unsteady voice with its unwavering tone is probably the most uniquely beautiful instrument on her new album, Once I was a Bird, rivalling her exquisitely fingerpicked guitar making it easy to see why she is being tauted as "Folk Music's New Royalty." Lured in by the album's misty blue melodies and somber yet strong songwriting, I was happy to have had the opportunity to ask Lauren about her music, career and the album.

CFM: Can you discuss your childhood and how it has influenced you and your music?

LS: I grew up in a very musical household. Both my parents sing and play, and when they weren't there was always music on the stereo. I remember hearing Bob Dylan as a kid and thinking "Who is this guy with the weird voice", and singing along to James Taylor and Nanci Griffith. I think what inspired me to play were these parties we used to have at our house that were centered around a group of musicians singing and playing together...lots of traditional folk songs....and I wanted to be a part of that.

CFM: When did you realize you wanted a career in music?

LS: I think that was a gradual process. I don't remember any one moment, I just know that the longer I worked away at it the more it made sense to continue to pursue music as a career.

CFM: What has been your biggest thrill and/or opportunity since beginning your music career?

LS: Getting to play with artists that I looked up to when I was young, such as Nanci Griffith, Shawn Colvin and Kristin Hersh; those were some very special shows to me. More big thrills were meeting and opening for Ray LaMontagne, playing the Tribute to Bob Dylan concert at NYC's Lincoln center, and playing Bonnaroo last month.

CFM: You're a multi-instrumentalist playing guitar, banjo, and ukulele. When did you start playing these instruments? What got you interested in learning?

LS: Guitar is my main instrument and I began playing that around the age of 13. There's still so much for me to learn on this and all of my instruments, but I feel the most fluent in guitar. Banjo followed a few years later although I remained largely self taught until I went to the Old Town School of Folk Music in 2008 and really learned the traditional stylings of playing the claw hammer banjo, which I think creates some of the most beautiful sounds I've ever heard. Ukulele has been my most recent addition in the last 4 years and it's been a lot of fun. I had never really considered playing it until my Dad gave me one as a gift and I started messing around and making up songs. It's such a sweet sounding instrument.

CFM: There's a natural sadness to Once I was a Bird. If not too personal, can you please tell me where you were at both mentally and emotionally while writing and recording the album?

LS: I think that there will always be a part of me drawn to writing melancholy folk songs; even though I consider myself to be a happy person, songwriting has been a creative way to explore the darker parts of life. With that said, this album definitely has a continuity to the theme and it's not even a dark subject matter but actually something that everyone at some point in their life has felt: heartbreak. I was experiencing that during the time that most of the songs were written. But it's funny how things work, because when I felt like I had nothing left to give, I was able to let go and write these songs...like there was some creative reserve I was able to tap into and relieve myself of those burdens.

CFM: What have you been doing since 2006's In My Bones? How have you evolved since recording the album? How is Once I was a Bird different?

LS: Every time you make a record, you learn something. Probably a lot of things. I was 17-18 when I wrote and recorded "In My Bones", and was able to look at that album as a jumping off point to where I wanted the next one to go. "Once I Was A Bird" was more filled out, musically. Instead of a single viola track, we added a whole string quartet in parts. Instead of a shaker or a hand clap, we added drums and all kinds of percussion. Not to say that simplicity doesn't go a long way, and I still consider OIWAB to be relatively simple album in it's presentation, but knowing where to embellish and then where to embellish more was a big contributor to the production of this album. In between records I learned a lot as well. I feel like I became a more seasoned songwriter, which is probably bound to happen the more years you live. Most of the songs were actually written between 2008-2009 so it wasn't so big of a gap...it just took me a little while to get them ready to be heard.

CFM: Do you have one song that is more special than the other songs you've written? Which one? Why?

LS: Obviously the title track means a great deal to me. Looking at it objectively from a songwriter's point of view, I'm most proud of that song; the way the chorus came together, the lyrics and guitar melodies, and the way it unfolded in the studio with the power of strings and harmony vocals was really powerful for me to see and hear.

CFM: How was your first Bonnaroo experience?

LS: Dusty!!! But oh so much fun. I seriously loved every dusty, sweat-drenched, sun-burnt minute of it. Just to be there and hear so many wonderful musicians that I'm totally obsessed with (Buffalo Springfield, Arcade Fire, Abigail Washburn, Justin Townes Earl...to name a few), and then getting to play some of my own music on top of it? In a SHADED tent? How lucky can one girl be?!

Purchase Once I was a Bird
Lauren Shera's Website

Once I Was A Bird by Lauren Shera

Fisticuffs - "Would You"

2011-06-28T00:01:00.001-04:00

Since breaking my cardinal rule -- Thou shalt not feature albums that do not fit the style of Common Folk Music -- I have been dealing with a great amount of shame and self-loathing. So, this evening I renew and make this solemn vow to myself and readers, I will no longer write about albums and artists that I do not love or even remotely like. All day I have carried this burden around feeling dirty down deep in the core of my acoustic-lovin' soul, but that was until just a few minutes ago when my transgression was washed away by the following track.

Canadian band, Fisticuffs, released their new single, "Would You," and it was just what I needed to hear today. A slow, acoustic number, it's the way I like my music -- wistful, soft, and composed. For me, I find comfort in its pensive lyrics and melody, but I find the quiet, full band sound with a subtle yet crystal clear trumpet to be the most pleasing.

<a href="http://fisticuffs.bandcamp.com/album/would-you-single">Would You - Single by Fisticuffs</a>

BOBBY - Bobby

2011-06-26T22:23:00.003-04:00

BOBBY is your atypical folk group comprised of a little co-operative of label mates and college friends who after graduating from Bennington College moved into a house in a small Massachusetts town to create this interesting 12-song, self-titled debut. Less Americana and traditional folk, Bobby is a new age, avant-garde concept with synth-drenched tracks that should come with a warning label that states, "May cause drowsiness. Do not drive or operate heavy machinery while listening."

Despite Bobby's cheap cover art, the album is tasteful, naturally unwinding and lulling the listener into a state of unconsciousness with its keys, loops, percussion, and strings. The dreamy preface, "We Saw," opens with chilling chords that build into crescendoing chorale harmonies followed by the quirky synth effects and shaky rhythm of "Sore Spores." In the fluid "Ginger (Water Birth)," the synths and echoing vocals lap around soothing the listener into a deep slumber, while aptly named "Groggy" causes just that with its hypnotic ambient arrangement. Finally, the album closes with "The Shed" and its unearthly, electro-monastic chant that entrances and tranquilizes.

So to conclude, Bobby is an artful and complex album filled with strange rhythms, styles and sounds perfect for meditating and relaxing, but it's synth saturation is just not my cup of tea.

Purchase Bobby
BOBBY's Website

BOBBY - Ginger (Water Birth)

Groggy

For Your Sunday Afternoon Viewing Pleasure: Josh Garrels - "White Owl"

2011-06-26T16:06:00.000-04:00

For your Sunday afternoon viewing pleasure check out Portland folk musician, Josh Garrels' amazing video for "White Owl" from his new release, Love & War & The Sea Between. Illustrated and animated by husband and wife team, Daniel and Arian Armstrong, this video is a beautifully crafted visual depicting the magical journey of a boy and equally matches the song's enchanting sound.

Josh Garrels has made Love & War & The Sea Between available to stream and download for free at his bandcamp site.

Lauren Shera - Once I was a Bird

2011-06-25T18:43:00.000-04:00

With a distinctive, gently quaking voice that rarely rises and falls, Lauren Shera is quite possibly the voice of a new generation of folk. Accumulating a mass amount of praise for her new release, Once I was a Bird, this amazing talent is a name and a voice you won't soon forget.

Once I was a Bird is divinely depressive with haunting melodies and poetically poignant lyrics about life and the lessons learned. An engaging album, Shera's reserved but intimate voice keeps the listener hanging onto every thoughtful word and old soul wisdom. As a multi-instrumentalist, she not only plays acoustic guitar on the record, she also plays the ukulele and five-string banjo. Drawing inspiration from traditional folk and old timey music, Shera keeps the musical embellishments at a minimum showing that she not only possesses the vocal, instrumental, and songwriting chops, but, also, the maturity to know that less is sometimes more.

In addition to all of Shera's talents, two phenomenal artists and biggest influences -- Kristin Hersh and Abigail Washburn -- lent their skills to the album. And, with Andy Zenczak at the production helm adding the right amount of adornments, Once I was a Bird is straightforward, somber, indie-folk perfection.

Purchase Once I was a Bird
Lauren Shera's Website

Stealth by Lauren Shera

Q & A with Ghosts I've Met

2011-06-25T10:57:00.001-04:00

After featuring Sam Watts' project Ghosts I've Met's debut album, From A Spark, I was given the opportunity to ask Sam a few questions and he so graciously answered.

CFM: What is the origin of the name Ghosts I've Met?

SW: I found a book from the 1880's in a payphone in Reno,Nevada that was called "Ghosts I Have Met." I read the whole book cover to cover that night and was so amazed by it that I thought I would use that as a working title. I of course shortened it to "Ghosts I've Met".

CFM: What inspires you to write in general?

SW: I read a great deal of poetry and when I do I feel the need to write my own which I often do on the inside jackets of all of my books.

CFM: What inspired From A Spark?

SW: Living in Marfa,Texas and the relationships I had there over those few years and the idea that the people stay in one place whether you are around to see it/them or not.

CFM: Is there a specific theme?

SW: I would say that I needed to flush out a lot of songs from that part of my life and begin working on a new chapter. So really the theme is that ending point/starting point...Also I worked on recording this record while my wife and I were expecting our first baby. His name is Easton Sparks Watts so in a way the title seemed perfect for many reasons.

CFM: What is your creative process like?

SW: I tend to write the most when things are the most "Up in the air" in my life. I find a great deal of comfort in writing something that I have never heard before. It usually starts with a sentence or two and grows from there into a melody/chords etc.

CFM: Did it change in any way during the making of From A Spark?

SW: Yes. On "From A Spark" there is no bass guitar and no drums with the exception of the percussion on "Slanted Light." This was done for many reasons but the main reason was to try and record the songs without hiding behind fall back arrangements such as Acoustic Guitar, Bass, Drums, Electric Guitar, etc.

CFM: How would you describe your music and songwriting style?

SW: I wouldn't be able to. I maybe could have when I first started writing songs but now I just write music.

CFM: In a sense From A Spark is a fairly melancholy album, what is the saddest song you've ever heard?

SW: "The Mission" soundtrack by Ennio Morricone. The strings on that album are among the most beautiful sounds I have or will ever hear.

GHOSTS I'VE MET'S upcoming shows:
August 27th @Columbia City Theater in Seattle,Wa with Dolorean and Pearly Gate Music
September 9Th@ The Neptune Theatre in Seatle,Wa Opening for The Antlers.
October 9th@ReverbFest in Seattle,Wa

Ghosts I've Met: "Winters Ruin"

Wilco - "I Might"

2011-06-25T09:56:00.000-04:00

Wilco released their highly-anticipated first single from their upcoming yet-to-be-named eighth album this weekend during their Solid Sound Music Festival. The song is Wilco's first on their own label dBpm and will be accompanied by a cover of Nick Lowe's "I Love My Label" on the B-side. ""I Might" is only available for purchase at the festival, but will be officially released on digital download and a clear limited edition 7" vinyl on July 19, but through the magic of Internet you can hear the track below.

Wilco - I Might

Laura Marling to release new album in September

2011-06-23T20:08:00.001-04:00

British singer-songwriter, Laura Marling, will release her third album and follow-up to the highly acclaimed I Speak Because I Can entitled A Creature I Don't Know on September 13. On this album, Marling will have a fuller sound using a mixture of cello, keyboards, harmonium, double bass, banjo, and horns combined with elecric and the mandtory acoustic guitars. While recording, Marling experimented with a POG Pedal which should make for an interesting and exciting album. Produced by the same man who produced her last record, Ethan Johns (Ryan Adams, Ray LaMontagne), this album will be causing a lot a buzz among the indie-folk crowd.

Pre-Order A Creature I Don't Know
Laura Marling's Website

Hearts of Oak - Used to It Now

2011-06-23T14:08:00.001-04:00

Used to It Now is Hearts of Oak's newest album and second release on Deer Lodge Records. Fronted by Nate Wallace, the band features local Portland, Ore. musicians to create 12 twangy arrangements. Wallace's grating voice would seem out of place on any other record, but on Used to It Now it's ideal. And, with Wallace listed as having most of the writing credits, Used to It Now is a good album, but probably not for everyone.

Purchase Used to It Now
Hearts of Oak's Website

01 1964 - Hearts of Oak - Used to It Now

Vanessa Lively - Uncovering Stones

2011-06-23T01:27:00.000-04:00

San Antonio-born, Austin-based singer-songwriter, Vanessa Lively's new album, Uncovering Stones, is an eclectic world exploration of the universal language of music. Whether singing in Spanish or English, Lively is extremely aware and connected to the people of the world, describing the album's themes as "feeling other people's struggles and joys and being connected with them." This connection isn't just talk, but through her life experiences as a migrant farm worker raking blueberries in Maine and volunteering in South America's impoverished areas with her husband, Lively has created a solid album possessing 12 pretty songs varying in styles. And, even though, all of the songs on Uncovering Stones are worthy, it's the Latin songs like "Estoy Volando" and "Baile Conmigo" that make an impression.

Purchase Uncovering Stones

Vanessa Lively's Website

03 Estoy Volando - Vanessa Lively

Jeffrey Foucault - Horse Latitudes

2011-06-22T10:17:00.002-04:00

Horse Latitudes is the new album from Americana great Jeffrey Foucault. Released on May 3 via Signature Sounds, the record is pure beauty and one of the best Americana albums this year. After several cover albums and collaborations, Horse Latitudes is 10 original tracks founded on prime writing, playing and arrangements.

The title track opens the album with drums, bass, and vibrating pedal steel quickly setting the tone for the rest of the album. "Pretty Girl in a Small Town," is a great rootsy number with scorching electric guitar and subtly reverbing pedal steel. But, where Foucault really succeeds is in the smoky country ballads, like my favorite on the album, "Starlight and Static." Foucault's husky voice combined with the acoustic guitar lines and strumming, an pedal steel and subtle female harmonies supplied by his wife, Kris Delmhorst makes the song haunting and memorable. The other ballads like "Heart to the Husk" and "Goners Most" are melancholy standouts that gently ache.

What makes Horse Latitudes a great Americana album is Foucault's vocals and guitar playing combined with the nuanced and affective pedal steel of Eric Heywood. And, it has become an album I constantly go back to for some great Americana music and that hit of pedal steel I need to sustain me.

Purchase Horse Latitudes
Jeffrey Foucault's Website
Signature Sounds' Website

Jeffrey Foucault - Horse Latitudes

03. Starlight And Static - Jeffrey Foucault

Wealthy West - Volume 1

2011-06-21T20:12:00.001-04:00

The Wealthy West is the moniker of Austin-based singer-songwriter Brandon Kinder who has recently released his debut EP entitled Volume 1. This five-song collection of lovely acoustic songs penned by Kinder, did not fit in with the style of his main gig as the lead singer of the indie-rock band, The Rocketboys, so Kinder dubbed himself The Wealthy West and went solo to create this short and sweet disc full of heartfelt lyrics and catchy Americana tinged tunes.

You can listen to and download The Wealthy West's EP Volume I on bandcamp.

<a href="http://thewealthywest.bandcamp.com/track/love-is-not-enough">Love Is Not Enough by The Wealthy West</a>

Jesse Lege, Joel Savoy & The Cajun Country Revival - The Right Combination

2011-06-21T15:21:00.002-04:00

Cajun music from the Northwest? Well, yeah. Sorta. Now living in Portland and formed in 2010, the Cajun Country Revival came together during Caleb Klauder's Country Band's Northwest tour promoting his album, Western Country. Coincidentally, fiddle sensation Joel Savoy and Cajun music guru Jesse Lege were also in the Northwest and Caleb invited them to sit in on his tour. The group immediately connected blending Savoy and Lege's rustic roots music with Caleb Klauder's honky-tonk.

Recorded by Joel Savoy at his studios in Eunice, Louisiana, their debut album, The Right Combination, was basically a magical impromptu recording that features all the trademark sounds of Cajun dancehalls and Honky-Tonk bars -- the fiddles, accordion, pedal steel, piercing vocals and some rousing rural fun. But, the driving force behind The Right Combination is Jesse Lege who's authenticity shines throughout the album. How could it not? The man grew up in a home with no power, speaking only Cajun French and listening to country and honky-tonk music on the family's old transistor radio. But, Lege isn't the only notable musician or member with Cajun credentials, however he is the touchstone of a group who mutually respects each other.

The Right Combination is a boisterous and engaging album covering Cajun songs like "Ouvre La Porte," "S'En Aller Sur L'Courtableu" and "La Valse d'Evangeline", as well as adding an interesting Cajun flavor to Loretta Lynn's "Tippy Toeing", Porter Wagoner's "The Right Combination", and the classic blues "Corina" first recorded by Bo Chatmon. The album's lively arrangements mixing East Texas' honky-tonk and Southwestern Louisiana's Cajun flair isn't "the right combination," it's the perfect combination and the perfect way to put a little pep in your step.

Listen to and purchas The Right Combination at Jesse Lege, Joel Savoy & The Cajun Country Revival's bandcamp site.

<a href="http://cajuncountryrevival.bandcamp.com/track/ouvre-la-porte">Ouvre la porte by Jesse Lége, Joel Savoy, and the Cajun Country Revival</a>

<a href="http://cajuncountryrevival.bandcamp.com/track/the-right-combination">The Right Combination by Jesse Lége, Joel Savoy, and the Cajun Country Revival</a>

Best of 2011... So far

2011-06-21T13:49:00.000-04:00

It's already June and time for a compilation of my favorite albums so far this year. Please keep in mind, these albums are the ones I listen to the most and some may change as the year goes on. So, here it goes ...

Civilian, Wye Oak
Follow Me Down, Sarah Jarosz
Sleep with One Eye Open, Chris Thile and Michael Daves
Nick 13, Nick 13
Early in the Morning, James Vincent Mcmorrow
Nothing is Wrong, Dawes
Bon Iver, Bon Iver
Little Hell, City & Colour
American Legacies, Del McCoury Band and the Preservation Hall Jazz Band
From A Spark, Ghosts I've Met

For Your Sunday Viewing Pleasure: Jimmie Dale Gilmore - "Buckskin Stallion"

2011-06-19T16:04:00.000-04:00

Because I'm stuck here at work and unable to make it to the Jimmie Dale Gilmore and The Wronglers' show on Mountain Stage tonight, I'm posting Jimmie Dale performing Townes Van Zandt's "Buckskin Stallion" for your Sunday afternoon viewing pleasure.

Larabee - "Little Liar"

2011-06-17T03:05:00.002-04:00

Matt Maguire (not to be confused with Matt McGuire for all my Ripley peeps reading this post) sent me a track entitled "Little Liar" from his new project, Larabee's, four-song EP Expose A Little Wire. The former lead singer of the short-lived, late 80s band The Bensons, Maguire has just returned to music after going to law school, getting married and starting a family. Produced by Ken Buono, Maguire called upon several guest musicians to create "Little Liar" and the three songs listed on the release.

"Little Liar" is a great uptempo alt-country jam meant to be played while driving the highways and byways of America with the windows down. It kinda reminds me of the Gin Blossoms. You can hear the track posted below or you can stream and purchase Expose A Little Wire on Larabee's bandcamp site.

01 Little Liar by Larabee

Kate Maki - Moonshine

2011-06-16T19:31:00.000-04:00

Moonshine is the fifth record from Kate Maki, substitute teacher and Canadian singer-songwriter. With a long-running desire to record an album in her basement, Maki invited a cast of friends from Cuff The Duke, The Pinecones, Fembots and The Minotaurs to her home to record around one microphone. Over two snow-filled days during one of the coldest weeks in history, Maki and company recorded Moonshine with a raw, organic sound that can only be made by a group of friends playing around a fireplace. The album's friendly feel creates a carefree playfulness that causes it to flow freely while remaining focused and maintaining interest. Shaped by drums, upright bass, guitars, pedal steel, piano, organ, accordion and harmonized vocals, it's Maki's soft, rustic Gillian Welch-like vocals that stand out. And, like squares on a cozy winter quilt, each instrument, harmony and note on Moonshine are sewn together to produce a delightful piece of homespun art.

Purchase Moonshine

Kate Maki

01 Lose My Mind - Kate Maki

Ghosts I've Met - From A Spark

2011-06-16T11:27:00.000-04:00

Ghosts I've Met is the music project of Seattle-based singer-songwriter and musician Sam Watts. Created in 2005, the project has featured a list of players such as former Modest Mouse members Ben Blakenship and Brent Arnold, and adding Margaret White of Sparklehorse and Michael Lerner of the Antlers a year later when Watts moved to Brooklyn. Then, in 2007, after a successful cross country tour, Watts met and fostered a friendship with songwriter Darren Jessee of Ben Folds Five who introduced him to a world filled with authors and poets influencing his songwriting.

Watts' debut album, From A Spark, is a nine-song collection of pastel lamentations with poetic and impressionistic lyrics. Rather than focusing on storytelling, Watts uses music shaded with blues and grays to create the melancholy mood surrounding the songs' short poetic lines. The album's heavyhearted gentleness is graceful and its loneliness soothing. As a result, From A Spark is an exquisitely tranquil debut awash in an alluring sadness that keeps you listening.

To purchase From A Spark and find out more on Ghosts I've Met visit Yer Bird Records.

Ghosts I've Met - "Blackwoods" by Yer Bird Records

Ghosts I've Met: "Winters Ruin" by Yer Bird Records

Chris Thile & Michael Daves - Sleep with One Eye Open

2011-06-15T03:12:00.004-04:00

August 5, 2005 will for now on be written in the bluegrass annals as it marks the beginning of one of the best collaborations/duos in the history of bluegrass music. It was a date preordained by God, who could no longer allow his poor, talentless flock to go without hearing and experiencing the supernatural gifts of Chris Thile and Michael Daves. And, I for one, feel blessed. Now, after hearing their latest effort, I have some semblance of faith and belief that God is actually a loving god because He so loved the world, he gave us Thile and Daves.

On their new release, Sleep with One Eye Open, mando extraordinaire Chris Thile and guitar ace Michael Daves team up to put a fresh twist and punk vibe on 16 traditional bluegrass standards made legendary by artists like Flatt & Scruggs, The Monroe Brothers and The Louvin Brother. Recorded live in a good ol' fashioned bluegrass jam session over the course of four days at Jack White's Third Man Studios in Nashville, Tenn., the duo's chemistry bursts through each track. The combination of Thile's frenzied precision on the mandolin and Daves' expertly fast flat-picking makes such traditional tracks as Bill Monroe's "Rabbit in the Log" and Charlie Monroe's "Roll in My Sweet Baby's Arms" exciting and modern. As a result, Sleep with One Eye Open evokes joy and envy in the hearts, minds, and souls of everyone listening to their phenomenal instrumentals on the likes of the flying "My Little Girl in Tennessee" and the lively title track. While the pair's insane talents are mindblowing, their vocal meshing is equally memorable on the high-and-lonesome "You're Running Wild" and "Rain and Snow" as well as the gorgeous traditional dirge "Bury Me Beneath the Willow."

In my humble opinion, Sleep with One Eye Open is one of the most spectacular, spirited and inspired albums of 2011 and its creation as well as the birth of Thile and Daves' musically ordained collaboration should be observed and celebrated each year.

Chris Thile and Michael Daves' Website
Nonesuch Records
Third Man Studios

ReviewShine Monday: The David Mayfield Parade - The Parade

2011-06-13T18:37:00.001-04:00

At The Avett Brothers' insistence David Mayfield started his own project, The David Mayfield Parade, after the newgrass band he was playing in, Cadillac Sky, went on an indefinite hiatus in January. Then, soon after, in February, David Mayfield released The Parade on 9th Grade Records, a label which Mayfield co-founded with fellow songwriter Josh Joplin.

Better known for his background work, this Grammy-nominated musician and producer, is a natural frontman with a lot of versatility and a tremendous gift. Mayfield's new album, The Parade, is a list of 11 sincere love songs with an AM rock and vintage country sound and touches of pop and soul and includes two covers -- "Blue Skies Again" off of his sister, Jessica Lea's, latest album and a sibling duet of Don Gibson's lovelorn "Sea of Heartbreak." His James Taylor-like vocals bring a sense of familiarity and comfort to every song on the record, especially on the track "Udine." Whether Mayfield is singing in the Buddy Holly-style rock number "Noreen," the rootsy rocker "I Might Just Pray" with The Avett Brothers, or with Caitlin Rose on the wistful country waltz "Faraway Love," he delivers each song with extraordinary charm, personality and craft.

Purchase The Parade

The David Mayfield Parade's Website

01 Blue Skies Again - The David Mayfield Parade by aibrean

For Your Sunday Viewing Pleasure: Peter Katz performing "Dear"

2011-06-12T13:49:00.001-04:00

For your Sunday viewing pleasure I've posted a video of Canadian singer-songwriter Peter Katz performing one of his new songs - "Dear." Recorded in April at a monthly house concert series hosted by John Radcliff in Parkersburg, WV, and after two months, I FINALLY got a copy from my dear friend. Enjoy...

Dead Man Winter post new songs from new album

2011-06-10T23:45:00.001-04:00

Dead Man Winter, the side project of Trampled By Turtles Dave Simonett and Tim Saxhaug, has posted new songs from their upcoming album on Facebook. I'm assuming Bright Lights will be the name of this release as I have not read nor heard any more specifics. To hear the new tracks visit the band's Facebook page or follow them on Twitter.

The Only Sons - American Stranger

2011-06-10T20:35:00.001-04:00

Over the past few years, The Only Sons have become one of just a handful of bands creating great Southern rock. Their third album, American Stranger, is their best to date.

Produced by friend and associate, Glossary's frontman Joey Kneiser, the album was recorded in the church bassist Jonathan Merritt's mother pastors. While recording, the chruch becomes an integral part of the production giving American Stranger depth of sound as well as the religious themes like the allusion to the Genesis story in "Temptation" and the titles "Written Word" and "The Devil Does" in which lead singer Kent Eugene Goolsby says was inspired by a church marquis in Smithville, TN.

Besides the prominent religious theme in American Stranger, the album is jam packed with Goolsby's superior songwriting and Springsteen-esque vocals as well as 70s rock guitar riffs. A feast for the ears, the band balances and mixes country, rock and blues from the raucous opener "Cutting Corners," to the moody "Standing Water" to the hard hitting "Gone Down Swinging."

Stream & Download American Stranger

The Only Sons' Website

<a href="http://theonlysons.bandcamp.com/track/standing-water">Standing Water by The Only Sons</a>

<a href="http://theonlysons.bandcamp.com/track/gone-down-swinging">Gone Down Swinging by The Only Sons</a>

<a href="http://theonlysons.bandcamp.com/track/gone-down-swinging">Gone Down Swinging by The Only Sons</a>

Tom Waits reveals lyrics from mysterious new album

2011-06-10T12:32:00.000-04:00

In case you've missed the news or you've been living under a rock or something, recent Rock and Roll Hall of Famer Tom Waits has just released a sneak peek at some of the lyrics said to be from his upcoming album. The mystery surrounding the album is as mysterious as the man himself. So far, Waits has been vague and tight-lipped about his new release, but his website has posted a photo of some lyrics written on a chalkboard ..

Matt Tyler - No Lifeguard Required

2011-06-09T12:50:00.001-04:00

Matt Tyler is a 25 year-old singer-songwriter from Brimingham, England who just released his new album, No Lifeguard Required, on May 4 via his own label Dannyboy Records . This is Tyler's third record and the follow up to his previous albums, Dead Flower by Midnight and Johnah's Revenge which is still getting some airplay throughout the UK as is his new album. His music has been downloaded over 250,000 times, and, if that isn't enough, he is a two time semi finalist in The UK Song Writing Contest.

No Lifeguard Required contains 10 solid and original folk-pop songs with catchy melodies and stripped down sound. Tyler's raw production doesn't take away from the quality of each song, instead it enhances the album's intimacy as well as his earnest lyrics and emotional vocal delivery.

Aside from his solo career, Matt is also part of the band/duo Lost Heroes with Jacob Lloyd. They are currently working on new material and due to hit the studio in 2012.

Purchase No Lifeguard Required
Matt Tyler's Website
Matt Tyler's Myspace

01 Heartbeating - Matt Tyler by commonfolkmusic

Sarah Jarosz - Follow Me Down

2011-06-08T17:37:00.001-04:00

Since her debut album, Song Up in Her Head, in 2009, Sarah Jarosz has been making a huge impact on bluegrass and Americana music. Now, her sophomore effort is continuing in the same vein, creating a fresh and independent sound expanding the bluegrass audience and garnering Jarosz even more attention.

Recorded when she was 19 and co-produced by Gary Paczosa, Jarosz uses her compelling voice and multi-instrumental talents to combine indie vocals and arrangements with classic bluegrass instrumentation. And, now, after establishing herself as an impressive force with Song Up in Her Head, Jarosz was able to call upon some of the best musicians country, bluegrass and Americana have to offer -- Jerry Douglas, Bela Fleck, Edgar Myers, Viktor Krauss, Darrell Scott, Chris Thile and Dan Tyminski -- while Jarosz picked up the mandolin, banjo and guitar to create this extraodrinary album.

Largely, Jarosz's original material with the exception of a few standout covers like her splendid version of Bob Dylan's "Ring Them Bells" featuring vocals from Vince Gill, a melancholic lingering in Radiohead's "The Tourist" aided by the Punch Brothers, and a haunting musical rendition of Edgar Allan Poe's "Annabel Lee" with Dan Tyminski lending counter vocals. The album starts off hauntingly romantic as well with Jarosz's weightless vocals surrounded by eerie instrumentation and subtle backing from Shawn Colvin. The single, "Come Around," exhibits some expertly fast-picking in a trendy minor-key arrangement, while "My Muse" bewitches listeners with Jarosz's heavenly voice and the floating instrumentation from her frequent collaborators, Alex Hargreaves and Nathaniel Smith. Then, an Appalachian influence can be heard in the more traditional "Here Nor There" enhanced by Jerry Douglas' deft dobro. Quietly, Jarosz closes Follow Me Down with the calm and soothing meditation, "Peace," which is perfect listening for a warm summer night and fitting for a sophisticated and completely intoxicating album that blends tradition with trends.

Purchase Follow Me Down

Sarah Jarosz's Website

Sugar Hill Records' Website

Sarah Jarosz - Ring Them Bells by Sugar Hill Records

My Muse by Sugar Hill Records

Steve Martin and the Steep Canyon Rangers - "Jubilation Day" video

2011-06-07T17:01:00.000-04:00

Steve Martin and the Steep Canyon Rangers' video for their banjo-pickin' breakup anthem "Jubilation Day" from their Rare Bird Alert album has become one of my favorite videos this year. In this video, becomes a rare bird as his face is transposed onto an animated banjo-pluckin' chicken. The upbeat and comedic nature of the song and video is sure to get you laughing as he skips down the road, playing his banjo and joining a lively barnyard hoedown during which one bird in the crowd dances. The video truly embraces the song's theme -- the liberating jubilation of walking away from a bad relationship

Tattoos & Bruises - Q & A with Mary Bragg

2011-06-07T12:17:00.019-04:00

Today, Mary Bragg released her third album, Tattoos & Bruises. It's heartbreaking narratives and Bragg's naturally sweet and pleasingly plaintive vocals shine against a mixture of country, folk, and rock creating a magnificent collection of Americana.

After hearing Tattoos & Bruises last week, I was given the chance to ask Mary questions about herself and the album and this is what she said ...

CFM: When and how did you first become interested in music? How long have you been playing music?

Bragg: I've been singing my whole life, but have been playing music seriously since I was about 16. That was when Santa Claus (seriously) brought me a guitar for Christmas, and I slowly started to pick up songwriting. Music was everywhere in my house growing up - I'm the youngest of four, and we were all musical, as were my parents. My daddy is an amazingly talented trumpet player - some of my earlies memories of his playing are of him waking us up on Saturday mornings playing "Reveille" to announce that it was time to get up! (and breakfast was on the table.)

CFM: Who are your musical influences?

Bragg: Sam Cooke, Loretta Lynn, Patty Griffin, Townes Van Zandt.

CFM: What was the inspiration for Tattoos & Bruises?

Bragg: On the subway one day I saw a girl with a tattoo on her ankle, and she had a bruise on her calf. For a second I wondered how she got the bruise... then the words came together in my mind, and I thought.. wow that has a nice ring to it, "Tattoos and Bruises". Within the hour, the melody was written. It wasn't until over a year later that the song was completed - there were so many images of this couple we wanted to have in the song - how a relationship leaves a heavy mark on you, oftentimes a much more permanent one than a tattoo, even when you try your hardest to erase it.

CFM: There were a few co-writers on the album, can you describe what it was like to work with them and their songwriting processes?

Bragg: Every songwriter is different. I like to write in many different ways - with or without my guitar, on the piano, completely away from an instrument, with or without a predetermined storyline, based on a particular word or phrase. When I'm writing with my husband Jimmy (Sullivan), he likes to bop around the house while I'm working on something, and he'll hear my phrasing or lyric, and say, "what about changing this to this, and swapping this with this?" and I'll say, "Oooohh! Yes!"

With Adam (Levy), we like to start with a clean slate, over coffee and conversation and see how the stories in our lives take us into the song. Those sessions are long and wonderful - oftentimes a song will span a couple of sessions, and every time, it's just so great. He's a very patient songwriter, and a forgiving one, too. We're into the whole "write everything down that's on your mind" thing - whether it's good or bad.

Colin (McGrath) loves a good hook, so we like to think about hook options before getting too deep into the song. He's so much fun, and has a whole wealth of ideas all the time. Those are also long and wonderful sessions - sometimes Jimmy joins us, too - as we're usually at our place in Brooklyn. It's really easy to be honest with Colin - and that's probably the single most important thing about writing, is honesty. It's easy to hide things, but I think the music is better when it's honest.

Writing with Lee (Alexander) was an unexpected blessing. When he signed on to produce the record, his involvement in the writing process just came organically. He's mostly a lyricist, and loves to pace around the studio either singing different words to himself, or texting me lyrics while I'm in another room (or fetching coffee!). we did most of our cowriting over email and texting. it's a crazy world!

CFM: How have you grown since your last album, Sugar?

Bragg: I think this record is much more cohesive, and paints a clearer picture of the kind of artist that I am. I've realized that instead of trying to be something that I'm not, I just have to be myself (which is a country girl who sings country-ish, even though I like to think of it as Americana. :))

CFM: What are your plans for the future?

Bragg: More songs! More albums! More touring!

Purchase Tattoos & Bruises
Mary Bragg's Website
Mary Bragg on Facebook
Mary Bragg on Twitter

How and Why by marybragg

When Your Heart Belongs to Another from Mary Bragg on Vimeo.

Danny Darst - songs from Exit 10 the play

2011-06-06T12:40:00.005-04:00

Multiple country hit songwriter, Danny Darst, has released a new disc, Danny Darst (songs from EXIT 10 the play), which features 10 original songs produced and recorded in Nashville.

While much of modern and mainstream country fail to create and merely pay lipservice to the outlaw country genre, Danny Darst's Exit 10 manages to produce a new play and soundtrack in this uniquely American style. And, when listening to the soundtrack it becomes apparent that Darst has completely embraced the outlaw sound and his storytelling talents know no bounds.

On Exit 10, Darst tells the tale of Mike Talburt, who abandoned by his mother the day his dad was buried begins a lonesome life of traveling in the post war – Dust Bowl era until settling down with a steady job at a truck stop garage off of Exit 10 in Auburn, Massachusetts while finding a sense of belonging with a hooker named Lydia. Darst is able to bring Mike Talburt's gritty story to life through his simple acoustic arrangments, vivid lyrics and masterful storytelling techinques.

Pearl and the Beard - Killing the Darlings

2011-06-02T18:26:00.002-04:00

Pearl and the Beard cleverly describe theirself as "three voices, one cello, one guitar, one glockenspiel, one melodica, several drums, one accordion, ninety-six teeth, and one soul."

Comprised of former strangers, Jocelyn Mackenzie, Emily Hope Price, and Jeremy Styles, the group came together in New York over their love of music. Since then, this musical threesome has been creating some of the most infectious, hand-clapping, and brilliantly melodic music out there.

Returning with their second full length album since 2009's God Bless Your Weary Soul, Amanda Richardson and last year's Black Vessel EP, Killing the Darlings was released on May 10 via Family Records. It's a tight and catchy album with exhilarating melodies and sophisticated vocals that harmoniously blend sounding as if they were made for one another. Whether trading vocals or harmonizing, it's hard to pinpoint the trio's eclectic sound. Sometimes a jazz inflection can be heard in their vocal styling like "Hot Volcano" while other times gospel/spiritual inspiration takes over as in "Douglas Douglass" or a beautiful and enchanting folk influence can be found in "Prodigal Daughter." But, despite the differing styles, inspirations and influences there is one common thread in Killing the Darlings and that is, an enjoyable listening experience.

And, although every song on the album is extraordinarily likable, there are a few standouts. "Reverend" starts the record off with a gospel-tinged excitement which introduces the group's amazing ability to take the listener on a roller coaster ride with their melodies, while their lead single, "Sweetness," is tremendously infectious and sure to get your foot tapping and your fingers snapping. The melancholic cello and the trio's mesmerizing harmonies create a gorgeously dramatic darkness in "The Lament of Coronado Brown," whereas a chiming music box effect adds a sweetness to the delicate waltz of "Sweetness" complimenting the airy female voice. Finally, the somersaulting vocals and bright harmonies disguise the sadness of "40K" making for Pearl and the Beard's finest moment on Killing the Darlings.

Purchase Killing the Darlings
Pearl and the Beard's Website
Pearl and the Beard on Facebook
Pearl and the Beard on Twitter
Family Records' Website

Sweetness - Pearl and the Beard by commonfolkmusic

Arthur Alligood - I Have Not Seen the Wind

2011-06-02T02:14:00.000-04:00

Arthur Alligood's third full length album, I Have Not Seen the Wind, almost didn't happen. He began recording the album in early 2010, but sometime along the way the funding started to dwindle, so like many independent artists, Alligood started a fundraising campaign on Kickstart. As a result, his fans pulled through and Alligood was able to release the album in March.

I Have Not Seen the Wind is a solid collection of clean songs with an acoustic blend of folk, pop, and country. The album showcases Alligood's ability to write poetic and descriptive lyrics that remain humble and approachable through their differing styles. Beginning with the sparse folk tune "Show Some Heart" which features a guitar, organ, and Alligood asking someone to let down some walls, unlock some doors, follow some dreams, and show some heart. Then, Alligood switches gears on "Keep Your Head Up" and "Make Her Smile" giving the listener catchy, mid-tempo country influenced songs with some steel and percussion, while the country-pop influence and steel carries over in the mellow and melodic "Turn It Over." On "Piece Me Together," Alligood's thoughtful and intimate lyrics are complimented by a stirring pedal steel whereas toe-tapping hooks saturate "Where the Storm Meets the Sun." "Gavel" is Alligood's lyical piece de resistance against judgmentalism, and the title track is a subdued folk number and songwriting achievement with lovely poetic lines like, "I've seen parting be such sweet sorrow, but I have not seen the wind."

Alligood is a talented wordsmith who has created an accomplished album replete with lyrical pearls that only an outstanding songwriter could pen. And, if it wasn't for Kickstart and Alligood's fans, the world would have never heard his wonderful words and great melodies.

To hear I Have Not Seen the Wind, you can stream and download the album on bandcamp.

Arthur Alligood's Website

<a href="http://arthuralligood.bandcamp.com/track/turn-it-over">Turn It Over by Arthur Alligood</a>

<a href="http://arthuralligood.bandcamp.com/track/i-have-not-seen-the-wind">I Have Not Seen the Wind by Arthur Alligood</a>

Sallie Ford & the Sound Outside - "I Swear"

2011-06-01T00:02:00.001-04:00

Sallie Ford & the Sound Outside is a Portland-based band that blends roots rock, jazz and soul with a youthful new style that defies mainstream yet there's a timeless quality to their music. Their sound is outside of the box and Ford's voice has a unique tone that possesses a jazz inflection and a punk edge that makes this group original and distinct.

Their new video for "I Swear" premiered last week. Director Matthew Ross adequately captured the band's style and said this about the video, "High schoolers, hipsters, parents or even my grandparents could hear them and really enjoy it. They're kind of timeless. So I thought showing them playing throughout the generations of the rock genre would be a perfect fit."

Their new album, Dirty Radio, is out now on Partisan Records and the band will begin touring with Jolie Holland on June 2 in Seattle at the Tractor Tavern.

Purchase Dirty Radio
Sallie Ford & the Sound Outside's Website
Partisan Records

Sallie Ford & the Sound Outside - I Swear from Matthew Ross on Vimeo.

Gillian Welch announces new album

2011-05-27T11:01:00.000-04:00

The long wait is over for Gillian Welch fans. On June 28, she will release her new album, The Harrow & The Harvest, which will be her first in eight years. Recorded at her studio in Nashville and produced by longtime musical partner, David Rawlings, the album will feature ten new songs.

In support of the new album, the duo will begin a North American tour on May 30 that will last into the fall.

The Harrow & The Harvest will be previewed at selected independent record stores across the country the week before it is released. For details concerning the album and listening party visit Welch's website.

Track Listing:
1. Scarlet Town
2. Dark Turn Of Mind
3. The Way It Will Be
4. The Way It Goes
5. Tennessee
6. Down Along The Dixie Line
7. Six White Horses
8. Hard Times
9. Silver Dagger
10. The Way The Whole Thing Ends

City & Colour premiers video for "Fragile Bird"

2011-05-26T20:36:00.002-04:00

Today on Much Music, City & Colour premiered the first video from his upcoming release Little Hell. Directed by Michael Maxxis, who also directed the video for Alexisonfire's "The Northern," shot "Fragile Bird" in an abandoned hotel in Hamilton, Ontario using the same dark and twisted style to tell the story of an emotionally tormented woman who is reliving her past through flashbacks while working in a brothel.

You can watch the behind the scenes preview below and the official video by visiting Much Music.

Little Hell is due out June 7. You can pre-order the album via City & Colour's website.

Recession Sessions

2011-05-23T13:03:00.005-04:00

Recession Sessions is an interesting project created in 2008 by two college friends, Ryan Stotland and Kyle Thompson-Westra, to document the Great Recession through irreverent folk songs. The first song to come out of the sessions is “Central Banker's Dilemma." It's a little ditty expressing the concerns of stagflation which is the combination of stagnating growth and inflation causing a dilemma for the central bankers: Lower rates to stimulate growth and cause inflation or raise rates and decrease growth but lower inflation? But, what really increased during this financial crisis was the Recession Sessions, growing into a 16-song album in which Ryan and Kyle will use to raise money and awareness for the Somerville Homeless Coalition. Check it out, buy it and help out a person in need.

King Harobed - King Harobed EP (Free)

2011-05-23T12:10:00.000-04:00

King Harobed is a folk group from Coalinga, CA. The band consists of childhood friends Brian Boomer, Dustin Herron and Kris Phillips, and as most childhood friends do they moved away and grew apart. Separated for year, the band members work and travelled but always thought about playing music. Then, in the summer of 2009, they reunited and created King Harobed and released their debut self-titled EP.

King Harobed is an EP chock-full of earthy alt-country songs about hard times, farming, and simple living. The opening “Gardener's Delight” is a fun and catchy song with a mandolin embellishment while the foot-stomping “Backroad Blues”enhanced by an electric guitar. On “Hard Patch Earth” the earnest vocals deliver a sad song about bad luck, bad soil, and no crops and the slide guitar colors “Our Debts We'll Repay” with a wistful tone.

It's a tasty homegrown album straight off the farm and the band is giving it away, so go to their bandcamp site for a free download of the EP King Harobed.

Hard Patch Earth by king harobed

Fleet Foxes - Helplessness Blues

2011-05-21T12:49:00.000-04:00

Fleet Foxes' new album, Helplessness Blues, is a prime example of hard work paying off. In 2009, the band had an album's worth of songs, but the tracks were discarded before mixing. During that time, Robin Pecknold told Pitchfork, “The last year has been a really trying creative process where I've not been knowing what to write or how to write.” But, despite all of their difficulties, Fleet Foxes released a tremendous album.

Working with Phil Ek again, Fleet Foxes minimize their lush harmonies and heavy Appalachian influences for a more cavernous sound and a more defined leading role for Pecknold. Helplessness Blues is an album marked with a sense of departure from their previous sound and personal relationships. “The Plains/Bitter Dancer” is unlike anything the band has done. It begins as lean psychedelic folk piece with reverberating harmonies, then, after a brief pause, the band breaks out in their trademark lush harmonies for a rousing end. The steady start in the jangling “Sim Sala Bin” quickly unfolds turning into a heavily strummed frenzy creating both peace and tension. It's definitely a departure from their flowing harmonies of their previous works. And, leaving his past behind, Pecknold sweetly sings the bitter lyrics of “Lorelai” revealing his pain caused by the dissolution of his relationship. Then, on “Someone You'd Admire,” Pecknold sings in a yearning voice about being unable to change for someone he loved.

Not only has the musical style and tone of Fleet Foxes changed on Helplessness Blues, but the lyrical style has too, reflecting an overall theme of transformaton. Pecknold's writing has now become more ambitious, writing about things larger than himself, humbly analyzing and questioning life and his success. Opening with the vague question, “So now I am older/ than my mother and father/ when they had their daughter/ Now what does that say about me?” on the album's first song, “Montezuma.” Pecknold is questioning something larger and trying to measure his own success. Later Pecknold desires a simpler life – life before his success – in the title track. He looks outside of himself wanting to serve a larger purpose, “And now after some thinking/ I'd say I'd rather be a functioning cog is some great machinery/ Serving something beyond me,” and does it in a humble, non-self-indulgent manner. Then, finally coming to the end of his struggling and questioning in “Gown Ocean,” the album closes with release and urgency.

With this theme of change and departure on Helplessness Blues, Fleet Foxes shows that their change isn't any better nor is it worse than their prior records; instead, it shows expansion, growth, and risk-taking. And, though the change is prevalent throghout Helplessness Blues, there are still a few familiar glimpses of Fleet Foxes making this a triumphant album.

Purchase Helplessness Blues
Fleet Foxes' Website
Sub Pop Records' Website

Fleet Foxes - Helplessness Blues

Fleet Foxes - Montezuma

Imelda May - "Mayhem"

2011-05-20T19:51:00.000-04:00

Irish rockabilly siren, Imelda May, will realease her new album, Mayhem, on July 19 via Universal's Decca Records. This will be her second album in the states and first on Decca. On this release, May wrote 13 of the 14 tracks as well as a cover of Soft Cell's "Tainted Love." Her band contains her husband Darrel Higham on guitars, Al Gare on double-bass, Dave Priseman on trumpet and Steve Rushton on drums.

With the release of Mayhem, Imelda will be on tour this summer beginning with an album release party on July 21 at New York City's Mercury Lounge and includes a performance with Wanda Jackson at Central Park Summer Stage and Lollapoolaza.

Imelda May's Website

IMELDA MAY TOUR DATES

July 21 - New York, NY @ Mercury Lounge
July 26 - Washington, DC @ 9:30 Club
July 27 - New York, NY@ Central Park Summerstage
July 28 - Philadelphia, PA @ Trocadero
July 30 - Brighton, MA @ Brighton Music Hall
August 7 - Chicago, IL @ Lollapalooza
August 9 - San Francisco, CA @ The Independent
August 11 - Portland, OR @ Oregon Zoo Amphitheater
August 12 - Seattle, WA @ The Neptune

Dawes - "Coming Back to a Man"

2011-05-19T15:46:00.000-04:00

Dawes' song, "Coming Back to a Man" has been named Esquire's new song of the summer.

Whether with Dawes or his side project, Middle Brother, Taylor Goldsmith has been writing some of the best roots songs of recent years. "Coming Back to a Man" falls right in step with its predecessors, making Dawes' upcoming album, Nothing Is Wrong, one of my most anticipated albums this summer and year.

If you're just as excited as I am about Nothing Is Wrong, you can pre-order the album through Dawes' website.

To hear a live performance of Goldsmith singing "Coming Back to a Man" visit Esquire by clicking on this link.

Ton-Taun - Exporter (Free)

2011-05-19T13:14:00.001-04:00

Ton-Taun is a band based in Lancaster, PA that consists of four full-time college students living in Philadelphia, Pittsburg, and Boston and attending different colleges one of which is the prestigious Berklee College of Music. Over the past two years, Ton-Taun's recognition has grown playing shows in Pennsylvania, Delaware, New Jersey and New York City as well as being feaured in various local online and physical magazines. The band has also independently released their second album, Exporter, in August 2010.

Recorded and produced in a home studio built by the band, Exporter contains twelve original songs that have an unique roots rock sound. Complex and intricate arrangements, the band has created some interesting guitar hooks, complicated drum beats, and bass lines.

Exporter is available to stream and download for free on Ton-Taun's bandcamp site.

Ton-Taun's Myspace

Ton-Taun's Reverbnation page

<a href="http://ton-taun.bandcamp.com/track/headdresses-2">Headdresses by Ton-Taun</a>

<a href="http://ton-taun.bandcamp.com/track/postcards-from-india">Postcards From India by Ton-Taun</a>

Dean Fields - Under a Searchlight Moon EP

2011-05-18T02:51:00.001-04:00

Dean Fields, a singer-songwriter from Richmond, Virginia, has recently released his latest EP Under a Searchlight Moon in March. An album of five well-written, thoughtful folk songs with a great pop sensibility, Fields spellbinds his listeners with his soft and sweet melodies.

From the opening “Tongue Like a Hammer,” Fields' develops an airy ambiance and light melody that floats throughout the album. “Forever Never Knowing” is a catchy and memorable piece of folk-pop and the heartfelt piano ballad “Something's Gotta Give” is flows and dances through the speakers. Fields' vocals take on a pleasingly pensive tone while the steel guitar gently sighs in “Could've Been.”

Under a Searchlight Moon is a short album with a dulcet impact. Fields' charming vocals and the album's easy melodies create a refreshing refuge for the ears.

Stream and Download Under a Searchlight Moon on bandcamp
Dean Fields' Website

<a href="http://deanfields.bandcamp.com/track/couldve-been">Could've Been by Dean Fields</a>

Zoe Muth and The Lost High Rollers - Starlight Hotel

2011-05-17T20:03:00.001-04:00

Barstool bard, Zoe Muth and her band The Lost High Rollers have returned with their sophomore album, Starlight Hotel. An album rife with the timeless sound of classic country music. Muth's earthy vocals are backed by the lot of gifted musicians that make up The Lost High Rollers, who take their name from Townes Van Zandt's “No Lonesome Tune.” Dave Harmonson's steel pedal is expressive and pristine while Ethan Lawton's mandolin tiptoes and dances around each note. Mike McDermott lends his expertise on the guitar as Greg Nies keeps beat on the drums.

Starlight Hotel is dry, witty and engaging with Muth taking writing credit for all of the album's tracks. Every song just as good as the last, Muth connects with her listeners through relatable lyrics about bad boys, bad love and bad jobs.

The album begins with the vibrant marichi horns in “I've Been Gone,” which tells of a travelling woman who misses the company of her love back home. “Whatever's Left” is a catchy little ditty asking for reassurance while in the honky-tonk ballads “Before the Night Is Gone” and “New Mexico” we find the relationship at its end. But, Muth's character begins to slowly move on in "Let's Just Be Friends for Tonight,"finding solace in the company of a man she met at the bar, but makes it clear she isn't looking for “a new love unless it's a true love/ So let's just be friends for tonight.”

Muth's plain-spoken and relatable lyrics are familiar in this time of hardships, hard work, and hard luck. In “Harvest Moon Blues” it's lines like, “I was born to lose/ Nothing has really ever changed … I've never had a job worth keeping/ No I never had a dime to spare/ You know that old trouble's been creeping up on my back stair/ I always feel lonely/ Even in the best of company” that can be heard in almost every bar across the nation. The dim “Tired Worker's Song” has the hopeless and tired feeling that comes from working and struggling everyday to make life and love work.

But, the album's highlight, “If I Can't Trust You With a Quarter (How Can I Trust You With My Heart?)," is clever and sound advice – never start a relationship with someone who has poor taste in music. If everyone would take Muth's sage advice, life would be less complicated. I only wish someone would have given me this common sensical advice sooner, it would have saved me a lot of time and effort, but then again, livin' in the land of Bon Jovi and Kenny Chesney the pickin's are slim.

Starlight Hotel is a solid album brimming with fine musicianship, excellent songwriting, and dusty country music, and with first listen you'll find yourself moving into the Starlight Hotel with Zoe Muth and The Lost High Rollers.

Purchase Starlight Hotel
Zoe Muth's Website

07 Zoe Muth And The Lost High Rollers - If I Can't Trust You With A Quarter by commonfolkmusic

Bon Iver - "Calgary"

2011-05-16T15:25:00.001-04:00

Bon Iver's long-awaited self-titled album arrives June 21 via Jagjaguwar. The first single, “Calgary” was released today and you can hear it or enter an email address in the widget below to download the track for free.

Kill County - The Year of Getting By

2011-05-14T09:59:00.002-04:00

Kill County's second album, The Year of Getting By, is as sparse and expansive as the Western plains from which it came. Recorded in two weeks time at a friend's house in Nebraska, The Year of Getting By is a selection of austere alt-country songs.

An intimate collection of modest, melancholic tracks that are sung either in a brooding baritone or a sorrowful tenor and features straightforward stringwork on the mandolin, dobro, upright bass, acoustic guitar, banjo and sometimes piano. Mostly slow-tempo sad songs, themes of nomadic rambling, struggle and isolation prevail throughout the record starting with opener “Time Passing” which incorporates all the themes and sets the tone. And, again in “The Train, The Drink, and The Dawn,” the themes are present in its dismal and tragic tale unraveling the narrator's heartbreaking circumstances. The stark arrangement and sorrowful vocals in “Western Town” is beautifully dreary while the up-tempo banjo and soaring vocals on “Left My Home” is hopeful.

Nothing I could say could do The Year of Getting By justice or adequately describe my admiration for the album and Kill County. All I can say is, there's no bones about it, the bare-bone arrangements and desolate stories make an amazing alt-country album.

Purchase The Year of Getting By on bandcamp

Kill County's Myspace

02. The Train, the Drink, and the Dawn - Kill County by commonfolkmusic

06. Western Town - Kill County by commonfolkmusic

The Kindness Killers - The Kindness Killers EP

2011-05-13T15:01:00.001-04:00

Hailing from Peterborough, Ontario, The Kindness Killers is one of the finest folk and country bands in Canada. Fronted by Benj Rowland, who plays the acoustic guitar and accordion, and featuring Julia Fenn on ukulele and vocals, Charity Justrabo on cello and Nick Ferrio on lap steel and back-up vocals, the band strives to produce a modern version of early folk and country music on their self-title EP.

Creating old-fashioned folk and country out of modern issues and contemporary headlines, “Never Will Marry” borrowed the story of a Newfoundland woman who killed her husband last year because she thought he was a bear. And, their choice of cover songs range from The Kinks' 1970 ballad, “Strangers,” to the antiquated yet timeless “Hard Times” which was penned in 1854 and has been recorded and performed by Bob Dylan, Emmylou Harris, and Kate McGarrigle and Anna McGarrigle.

Although none of the members were born nor raised in the South, the Southern influence can still be heard and appreciated. Because of this influence and the influence of the blue-collar town of Peterborough, The Kindness Killers make music for the common folk and have recorded an EP with universal appeal.

The Kindness Killers' self-title EP is available to hear and download on bandcamp.

Hard Times by nicholas.ferrio

Larcenist - We Become the Hunted EP (Free)

2011-05-13T14:04:00.002-04:00

Lately, Boston has been a breeding ground for first-rate folk and Americana musicians and Larcenist is no exception. This group has a sound all of their own. Generally known for their heavier, punk-influenced music, Larcenist is stripping down to the rustic basics on their new acoustic EP, We Become the Hunted, released in March.

It's a fantastic album with great lyrics and unique arrangements. Larcenist's intriguing ability to give a sense of hope while setting a dark tone makes We Become the Hunted that much more compelling and distinct. But, it's their interesting juxtaposition of the distorted guitar and drums against the classic violin that creates a primitively refined style which makes Larcenist a creative standout in Boston and folk music in general.

We Become the Hunted is available to download for free on Larcenist's bandcamp site.

Also the group will be recording a full-length album this August. They will be funding this effort through Kickstarter, so if you like the EP make a donation and help a band out.

Leon by Larcenist

A Great Disaster - Revive LP

2011-05-09T00:16:00.000-04:00

A Great Disaster is an Americana/roots band stationed out of East Tennessee. Founded by Zach Ross, the band blends folk, rock, bluegrass and soul to create their rootsy sound. In April, they self-released their debut, Revive, and are currently unsigned.

Highlighting their distinct sound, the album opens with a fiddle-heavy honky-tonk-influenced rock number, “Masochist,” while the subdued “Head Start” follows the lively kick-off highlighting Evie Andrus' pensive fiddle. “Easy to Hide” has Zach Ross showcasing his abilities on an electric guitar solo and more of Evie Andrus' fiddle. Then, the album takes a surprising turn using horns in the mid-tempo shuffle of “All the Kids Left.” And I really love the soulful performance and arrangement on “Ballad of Bruce the Bird” and the country-folk vibe and great fiddle playing on “Mountaintop Church.”

A Great Disaster's debut, Revive, is a raw yet respectable effort showcasing Andrus' excellent fiddle work and the band's promise. Youth is on their side and with a little more work on the female vocals and refining of harmonies this band could produce an even better album.

Purchase Revive LP
A Great Disaster on Reverbnation

Meatyard - Sweet Old Green Life

2011-05-08T03:18:00.000-04:00

L.A.-based band, Meatyard, released their sophomore album, Sweet Old Green Life, late last year. An album that combines country-folk songs with great hooks to create some radio-friendly listening. Produced by Brian Reeves (Billy Idol, Selena Gomez, Giorgio Moroder), the album showcases thirteen songs – eleven originals along with covers of the Everly Brothers' “Let It Be Me” and Stephen Foster's “Hard Times Come Again No More.” Whether an original or a cover, the band always delivers on the melodies and warm harmonies from Molly Hansen and lead vocalist, Josh Welsh.

After Meatyard's 2008 album, Toot Toot, Boom Boom, Molly Hansen moved away from L.A. and Josh Welsh started working on new songs. He had envisioned a completely acoustic approach until Molly moved back. Suddenly Molly and Josh found themselves back in the studio working on songs that Josh had previously recorded by himself. This reworking of Josh's material led to a fuller sound with Kevin Jarvis (Lucinda Williams, Steve Wynn) on drums, Martin Garner (Claudine 3, The Asbestos Sisters) on bass, Rupert Sandes playing slide guitar, and Molly on both vocals and cello. And, without the slide guitar in “Hard Times,” the song would have lost its downhearted and weary tone, while the foreboding and sense of paranoia would be lost without the opening cello in “Hats on the Five” and “Sweet Miss McGillicuddy” wouldn't be as charming without the light percussion and electric guitar. So, in other words, Sweet Old Green Life would have been dull and not as successful if it wasn't for the additional instrumental components and Molly Hansen.

Purchase Sweet Old Green Life
Meatyard's Website

Yael Naim - She Was a Boy

2011-05-06T21:24:00.001-04:00

French – Israeli singer-songwriter, Yael Naim, is getting ready to release her sophomore album, She Was a Boy, on May 10. A collaboration with percussionist David Donatien, this album follows Naim's self-titled debut and successful, chart-topping single “New Soul,” which was also used by Apple in an advertising campaign for its MacBook Air. Recorded with Donatien in a Parisian flat turned studio, the two worked slowly to create a delightfully charming album.

Everything about She Was a Boy is mesmerizing and interesting from the lyrics to the vocals and music. It's refreshing mixture of jazz, folk and pop is infused with a vintage vibe perfect for Naim's unique vocal style. In the opening track, “Come Home” the bubbly retro feel is a quirky and fun introduction to the album. This same eccentric effervescence can be found on the album's first single, “Go to the River.” In “Never Change” Naim nods to the bluesy jazz of the South and its easy quality is slow, flowing and breezy.

On this release Naim shows great range. Not always airy and whimsical, She Was a Boy displays different influences and moods. “My Dreams” takes a hypnotic and haunting turn to the darker side with pianos played with the sostenuto pedal, organ, and ghostly backing vocals and lyrics like, “If somehow I should die/will you ever wonder why I am real but you can't feel all that you erase and kill/ I will fly away from here all you took will disappear/ Was it my Dream?” Though not as moody as “My Dreams,” “Mystical Love” is an intriguing, trippy tale of a girl caught in a love she cannot understand or falling in love with a man she doesn't know but only in her mystical, psychic dreams. Who know, it's Yael Naim. Her peculiar style is quite fitting for the song.

In Naim's unorthodox fashion, she unexpectedly changes direction with the mysterious and meandering Indian-inspired, “Man of Another Woman.” And, in Naim's vast emotional and atmospheric range of She Was a Boy, her mood changes to melancholic with the emotionally ethereal “Today” and the depressingly delicate “If I Lost the Best Thing.”

She Was a Boy is a unique album with a varied range and a list of strong songs that showcase Yael Naim's quirkiness with the right amount of restraint needed to deliver a well-crafted yet unique album that can be fun to listen without taking away from Naim's artistry. If you like Yael Naim's previous album, you'll love She Was a Boy.

Also, check her out at two very rare US shows Monday, May 9, at Poisson Rouge in New York and Monday, May 16, at Hotel Cafe in Los Angeles.

Purchase She Was a Boy

Yael Naim's Website

Adam Levy - The Heart Collector

2011-05-05T01:19:00.000-04:00

Adam Levy, an accomplished jazz guitarist, has recorded and toured with Norah Jones, Tracy Chapman, Amos lee and others. In February, after a successful Kickstart donation campaign, Levy released his new album, The Heart Collector.

An all-acoustic album, producer Mark Orton perfectly captured Levy's skilled guitar playing. Mostly Levy and his guitar, there are a few tracks with very little accompaniments. In his Kickstart proposal, Levy wrote, “I want the songs to shine on their own, without much window-dressing, and I want to push myself as a singer and solo performer.” Pushing himself, Levy wrote one song a week for 20 weeks, resulting in a collection so varied and so wonderful it's hard to name a standout. The opening track, “I Wish I Could Change Your Mind,” is a wistfully romantic ballad with beautiful jazz guitar lines. Then, Levy changes it up a little bit with the singer-songwriter vibe in “A Promise to California” and the bluesy “This is the Sound.” You will also here a sultry tango on the title track, a folksy country tune, “There's A Light” and a Parisian accordion on “No Dancing.”

Levy stated that The Heart Collector would be his proving ground, but there really isn't anything to prove when you're this good and have always been this good. The Heart Collector has only confirmed, reaffirmed and validated that Levy is one of the best songwriters and musicians in the business. It is a great album overflowing with warm and soulful songs that enchant the ears and captivate the heart.

Stream and Buy The Heart Collector on bandcamp.com
Adam Levy's Website

Bonnie Whitmore - Embers To Ashes

2011-05-04T21:57:00.000-04:00

Bonnie Whitmore is a product of a pretty interesting childhood. Raised in Texas by a classically trained opera-singer mother and singer-songwriter father, along with a talented violin- and fiddle-playing older sister, Whitmore naturally became influenced by and drew inspiration from her family. At age 8, she started to play bass, joined the family band and toured Texas. Later, she learned to play acoustic guitar and cello, then, at 16, Whitmore began writing her own material and performing with local musicians.

Her sophomore album, Embers to Ashes has all the trappings of great country music – the stories, emotion, and reality. It takes the listener on a turbulent journey from the beginning to the end of a relationship, chronicling the anger, heartbreak, pain, and loss. Although, mainly a country album, Whitmore does expand the sound with a rockabilly, Western swing influenced title track, rock-infused “You're Gonna Miss Me,” and the Roy Orbison-like “Please Take the Words Back,” but it's her ballads like “Cowboy Lullaby” and “Love Too Sweet” with their melancholic melodies and Whitmore's tender yet aching vocals that standout the most.

Bonnie Whitmore may not ever make it to mainstream radio, but she has broadened her audience touring with Dierks Bently as well as opening for and playing with Hayes Carll on his most recent tour. She plans to continue to tour throughout 2011 and is currently preparing to record her third album. And, though her career is an ember right now, it's certainly not going to turn to ashes anytime soon.

Purchase Embers to Ashes

Bonnie Whitmore's Website

02 - Embers To Ashes - Bonnie Whitmore by aibrean

03 - Cowboy Lullaby - Bonnie Whitmore by aibrean

The Head and the Heart - Self-titled Debut & Sub Pop Re-Release

2011-05-03T04:07:00.000-04:00

The Head and the Heart are the masters of the self-release album. They're one of the year's biggest success stories, selling 10,000 copies of their self-released debut album and touring tirelessly supporting acts like Vampire Weekend, Dave Matthews and Dr. Dog, resulting in a Sub Pop deal and the re-release of their debut album.

The Head and the Heart have a knack for layering folk instrumentation with a pop sensibility to create toe-tapping, sing-a-long anthems. Although semi-melancholic, the sextet always manages to warm your heart rather than dampen your mood. Nothing exemplifies this more than “Down in the Valley” which begins at a whisper with an unobtrusive guitar melody building to a gentle yet energetic climax with strings, percussion and harmonies, then ending just as quietly as it began. “Lost in My Mind” has a similar effect. With harmonies pitch-perfect, the band builds in strength with persistent piano chords and rattling tambourine creating an incredible and impeccably fashioned folk-pop song.

“Cats and Dogs” is a brief and terribly catchy track that acknowledges their lack of identity in the line, “My roots are grown, but I don't know where they are.” However, it moves seamlessly into the second song, “Coeur d'Alene,” an awkward, piano-driven foot-stomper while “Ghost” is a bit cheesy and my least favorite on the album. Then, the band completely makes up for their heavy-handed opening trio with the enchanting ballad “Rivers and Roads.” A song that is many things – soft, sweeping, moving, and pensive – but, only one word can describe it, extraordinary. And, the flawless and seamless tempo-changes on “Sounds Like Hallelujah” is phenomenal.

The Head and the Heart's ability to produce an album with this kind of chemistry and emotion is very surprising given the fact that they met two years ago at a random open-mic night in Seattle. But, it's also this relatively new musical relationship that shows in the album's intermittent moments of awkwardness and folk-pop familiarity. And, despite the negative criticisms The Head and the Heart has received, I think it's an admirable collection of songs made even more admirable knowing that just last year this band was unsigned and their record self-released.

I love The Head and the Heart. I love them for their bursts of brillance and their tenacity. And, on the group's debut album, they show that they have the potential to become something special.

Purchase The Head and the Heart

The Head and the Heart's Website

Sub Pop Record's Webiste

The Head and The Heart - Lost in My Mind by MMMusic

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ReviewShine Monday: Robyn Ludwick - Out of These Blues

2011-05-02T17:49:00.001-04:00

You may have noticed that my weekly ReviewShine segment is without its "Rise." Well, like most of America, I was completely enthralled with the assassination of Bin Laden and did not get to sleep until the wee hours of the morning, therefore my rising and shining was late as well as my post. So, without any more delays, here is my weekly ReviewShine pick...

Music is in Robyn Ludwick's blood. Her older brothers, Bruce and Charlie Robison, are both well-known and respected songwriters. As a teenager, Ludwick would dream of becoming like her siblings, teaching herself guitar and sneaking out to Austin, where she eventually settled. But, whereas her brothers began a career in music, Ludwick chose to earn a degree in engineering from The University of Texas. She also started a family and began a career in engineering until her layoff which changed her life and her path. Continuing on this path, Ludwick has released her third album, Out of These Blues.

Produced and recorded by the legendary Gurf Morlix, Out of These Blues, is a fantastic album teeming with life and emotion. A polished record without the excessive shine to reflect the nature of Ludwick's rootsy and bluesy sound which is similar to Lucinda Williams and her sister-in-law, Kelly Willis.

No longer overshadowed by her brothers, every song on this album are original songs from Ludwick's pen. With every song just as good as the last, there is no need to skip through the album. From the beginning bluesy ballad “Hollywood” to the smokey “For You Baby,” laidback organ on “Steady,” the honky-tonk fiddle in “Can't Go Back” and heartfelt emotion in “Hillbilly,” Out of These Blues is essential listening.

Purchase Out of These Blues

Robyn Ludwick's Website

01 Hollywood - Robyn Ludwick by aibrean

Alison Krauss & Union Station - Paper Airplane

2011-05-01T16:31:00.000-04:00

When it comes to Alison Krauss & Union Station, I say if it's not broke, don't fix it. Keeping with same aesthetic that has brought them more than 20 years of success their new album, Paper Airplane, is yet another beautifully polished mix of rustic bluegrass and sophisticated pop. And, though it has been seven years since Alison Krauss & Union Station's acclaimed Lonely Runs Both Ways, the group's indelible chemistry is ever present throughout the record.

Krauss' vocals are in heavenly form on Paper Airplane, reminding everyone why she has won 26 Grammys. Singing expressively and effortlessly, her mezzo soprano soars on the airy title track written by longtime songwriting collaborator, Robert Castleman. Then, Dan Tyminski grounds the album with his earthy, well-worn vocals and Ron Block's fast and skillful banjo work on Peter Rowan's “Dust Bowl Children.” While a mysterious air surrounds Jerry Douglas' haunting Dobro and Krauss' lonesome vocals effectively set the mood on “Lie Awake.” The sweetly somber gospel hymn, “Lay My Burden Down” has a slightly traditional vibe whereas the banjo-driven composition on “My Love Follows You Where You Go” compliments the dramatic quality of Krauss' resolute power. And, on the cover of Richard and Linda Thompson's “Dimming of the Day,” Krauss exquisitely holds each note unstrained with a lingering heavyheartedness that keeps the song from becoming too heavy. The album is yet again brought down to earth with Tyminski singing Tim O'Brien's “On the Outside Looking In” and the outstanding narrative ballad, “Bonita and Bill Butler.” Finally, Paper Airplane closes with an amazing version of Jackson Browne's “My Opening Farewell.”

It has been reported that while recording Paper Airplane, Krauss suffered from migraine headaches, but whatever pressures and sicknesses plagued Krauss didn't seem to hinder the album. Instead, the record flows fluently and cohesively with superb songs and faultless vocals creating another outstanding record in the band's reputable and highly regarded cache.

Purchase Paper Airplane

Alison Krauss & Union Station's Website

Rounder Records

Alison Krauss and Union Station: Paper Airplane by Rounder Records

Sierra Hull - Daybreak

2011-05-01T00:12:00.000-04:00

With a voice this angelic and lonesome, 19-year-old Sierra Hull, was born to sing bluegrass. At the tender age of 13, Hull was signed to Rounder Records. Then at 16, she released and co-produced her Rounder debut, Secrets, with Union Station's, Ron Block. Following in line with her debut, Hull called upon Block's Union Station colleague, Barry Bales, to co-produce her sophomore effort, Daybreak, which was released in March.

From the beginning, you're almost certain you're listening to Alison Krauss which should come as no surprise with Bales producing and singing on some of the songs. In addition to Bales, Block add his guitar to a couple of tracks while Dan Tyminski contributes his vocals to others. For example, “Easy Come, Easy Go,” “All Because of You,” and “Wouldn't Matter To Me” sound like Krauss' most recent work while “Tell Me Tomorrow” could easily be mistaken for early Krauss. Although, heavily influenced by Krauss, Hull does give us hints of Rhonda Vincent in “Don't Pick Me Up” and “I'll Always Be Waiting for You.”

So, with the combination of these iconic styles and sounds Hull has developed her own style on Daybreak. Growing as a songwriter, she wrote or co-wrote seven of the album's twelve songs all of which equal those of her predecessors. She even wrote "The Land of Living," a beautiful gospel song which seems like a requirement for all bluegrass records. Hull has also carved out a niche by distinguishing herself as one of the best and fastest mandolin players in the genre which she shows in her intricate and precise playing throughout the album and especially on the instrumental tracks.

The songs on Daybreak range from the traditional bluegrass of “Don't Pick Me Up” to the newgrass instrumental “Bombshell” while “Best Buy” swings and the title track soothes with a modern pop essence of smoothgrass, but all equally charming and memorable.

Daybreak is a wonderful record with the comfortable familiarity of tradition and the brilliance of something new. With this album, Sierra Hull's rising star could very well be as bright as the rising sun at daybreak.

Purchase Daybreak

Sierra Hull's Website

Rounder Records

01-sierra hull-easy come easy go by commonfolkmusic

02-sierra hull-dont pick me up by commonfolkmusic

Lauren Shera - "Endless Sea"

2011-04-30T03:17:00.001-04:00

Indie-folk singer-songwriter, Lauren Shera, has released the first single, "Endless Sea," from her upcoming album, Once I Was A Bird. She talked with Spinner and said this about the song: "'Endless Sea' is a song about distance and longing, a love song threaded with nostalgia. To express those feelings with music, we slowly introduced instrumental embellishments throughout the course of the song to lend to the emotion of each verse. I knew from the start that this would be the perfect opening song for the record, as it is a great introduction to the characters that go on to play a large role in the rest of the 'Once I Was a Bird' album.'"

In the past, Shera has performed with Billy Bragg, Jackie Greene and Ray LaMontagne. This year she will be performing with Wanda Jackson and making her first appearance at Bonnaroo.

Once I Was A Bird will be released June 7th, but, until then, you can download "Endless Sea" for free on Shera's website. And, "Like" her on Facebook to hear other songs from the new album.

Watch the video for "Endless Sea."

Kites & Crows - "Muddy Waters" & "Start Again"

2011-04-30T01:09:00.000-04:00

Kites & Crows, an indie-folk trio, who met while performing with the country's largest theater, The Oregon Shakespeare Festival. The group began three years ago as a duo with Jesse Baldwin and Mysha Caruso adding Nancy Martin later.

Caruso, the band's main songwriter also plays guitar and sings. Baldwin brings his talents on the banjo, accordion, lap steel, mandolin, chord organ, and vocals, while Martin adds her cello expertise to the group as well as the vibraphonette and vocals.

The band's use of varied and eclectic instruments create unique and attractive arrangements like the staccato yet melodic flow in “Muddy Water.” And, the lovely melody and the smooth vocals on “Start Again” from the trio's newest effort and self-produced EP Golden Room released November 2010.

Formed with the help of Shakespeare, Kites & Crows took their name from a line in Coriolanus when the banished Coriolanus is asked where he has been hiding, he replies “ … Under the canopy … In the city of kites and crows.”

Purchase Albums
Kites & Crows' Website

Muddy Waters - Kites and Crows by commonfolkmusic

START AGAIN - Kites and Crows by commonfolkmusic

Austin Lucas - A New Home In The Old World

2011-04-29T23:34:00.001-04:00

Holy shit! Who would have guessed that something this kick-ass could come from some baby-faced guy, who if it weren't for his tattoo sleeves, could pass for the tuba player in your high school marching band.

Indiana-born singer-songwriter, Austin Lucas is giving his audience something different and exciting on his fourth album, A New Home In The Old World. Known for his acoustic work, Lucas' new release is offering an energetic, full band sound with guitar anthems and acoustic ballads. The album is an exhibition of eloquent songwriting and excellent singing in which Lucas is always in control and pitch-perfect. Calling on his friends from Lucero as well as family, their contributions adds interest and enhances A New Home.

Opening with the rollicking “Run Around” the album starts full throttle. The drums, clawhammer banjo and fiddle grab your attention and perfectly complement Lucas' twangy vocals. On the next track, “Sit Down,” the classic country arrangement doesn't sugar coat the harsh character of a cheater. “Thunder Rail” is a song you'll be replay over and over again. A rockin' country anthem with crisp and agile guitar riffs making it as hard to ignore as a thundering train barreling down the track. “The Grain” is another guitar-driven song that is reminiscent of Neil Young and a bit more rock-influenced than the previous track mentioned.

“Nevada County Line” is a beautifully heartbreaking acoustic ballad. Lucas sings softly and in-sync with the gentle harmonies of his sister, Chloe. So, when combined with the subtle yet gorgeous guitar and yearning pedal steel it becomes a stunning love song. But, it's in the folk-bent acoustic song, “Keys” that Lucas' songwriting is at its best. The poignant and poetic lyrics about war are moving and thought provoking like, “My generation needed it some death/ You ain't a man he said until you've dealt some death.” It's memorable words stick with you long after listening.

Austin Lucas has what it takes to become a music legend and A New Home In The Old World is the kind of record that conceives such legends. If you have never listened to Austin Lucas, I beg you to do so now. Whether you're a country music fan or not, I guarantee you'll become his fan.

Purchase A New Home In The Old World
Austin Lucas' Website

Austin lucas - thunder rail

Jason Isbell & The 400 Unit - Here We Rest

2011-04-28T00:53:00.003-04:00

As a former member of the Drive-By Truckers, Jason Isbell has been haunted with comparisons between his past and his present. Critics have continually said that his solo work doesn't live up to his work with DBT and that he's still trying to find his voice. Well, I think that's pure bullshit. I love Jason Isbell & The 400 Unit's new album, Here We Rest. This is his second album with the 400 Unit, and Isbell's third since leaving DBT, and I was completely and immediately enamored with it. I honestly feel like Isbell has found his voice. Albeit, less Southern rock and more country, soul, and R & B but still damn good.

An Alabama native, Isbell proudly nods to his roots with the album's title, Here We Rest, which was Alabama's original motto, and with the way he has perfectly captured the sound of these roots in song. The opening track, “Alabama Pines,” exemplifies Isbell's pride. It's a folksy acoustic tune with an inflection of homesickness stressed by a lonesome fiddle. Then, the guitar gets cranked up on the hard rockin' “Go It Alone” while “We've Met” is a gentle heartache.

“Codeine,” the record's standard, tells of a failing relationship and an ex-lover who has moved on to someone with a pain reliever. Its country shuffle and fiddle flourishes could hide the sad lyrics, but Isbell's subtle tone reveals its tragic story. When Isbell sings, “There is one thing I can't take/ Is the sound that a woman makes/ About five seconds after her heart begins to break/ Well, that's one thing I can't take.” It's one of Isbell's many lyrics that have stuck with me since hearing it weeks ago.

Isbell's writing really shines in the raw and sympathetic “Stopping By.” Emotionally arresting, Isbell sings about a absentee dad who returns to see the family he abandoned years before. It's the best four minutes on the album, and that's saying a lot since the record is brimming with some of Isbell's best work.

And, a R & B country penetrates Isbell's version of Candi Stanton's “Heart On A String” bathing the track in soul. The track makes you want to grab a partner and dance.

Contrary to certain reviews, Jason Isbell's talents are not dormant. Instead, Isbell has grown, growing out of the Drive-By Trucker aesthetic without completely forgetting about his life and musical roots. Here We Rest is heartfelt, soulful and addictive. It is truly Isbell's benchmark record by which all others will be compared.

Purchase Here We Rest
Jason Isbell & The 400 Unit's Website
Lightning Rod Records

Jason Isbell and the 400 Unit - Alabama Pines

04 Codeine

05. Jason Isbell & The 400 Unit - Stopping By

Mary Bragg - "How and Why"

2011-04-26T16:28:00.001-04:00

Georiga-born, Brooklyn-based singer-songwriter Mary Bragg will release her new album, Tattoos & Bruises on June 7. Bragg wrote or co-wrote all of the songs on the album, co-writing four of the songs with Lee Alexander while Adam Levy (Norah Jones and Amos Lee), Colin McGrath, and Jimmy Sullivan, her bassist and husband, made co-writing contributions. Produced by Alexander (Amos Lee, Norah Jones), the album showcases Bragg's country/pop sensibility and attractive vocals.

"How and Why" is a lovely and vunerable ballad and the first single from Tattoos & Bruises.

Bragg will be touring the east coast this summer, including a show in June at her home venue, The Living Room. I've posted these dates below.

Mary Bragg's Website

How and Why - Mary Bragg by aibrean

Tour Dates:
May 21 - Red Hook, Brooklyn @ Jalopy
June 3 - New York, NY @ The Living Room
June 10 - New York, NY @ The Living Room
June 17 - New York, NY @ The Living Room
June 24 -New York, NY @ The Living Room
June 26 - Philadelphia, PA @ Tin Angel
June 28 - Winston- Salem, NC @ The Garage
June 29 - Decatur, GA @ Eddie's Attic
June 30 - Athens, GA @ Hendershot's
July 1 - Swainsboro, GA @ The Cadle Barn
July 14 - Clinton, NJ @ The Black Potatoe Festival

Sierra Hull - "Easy Come, Easy Go" Video

2011-04-26T15:20:00.000-04:00

With the youth of Sarah Jarosz and the easy smoothgrass sound of Alison Krauss and Rhonda Vincent, 19-year-old mandolin prodigy, Sierra Hull, released her album Daybreak in March via Rounder Records. Here is the new music video of her latest single, "Easy Come, Easy Go."

Purchase Daybreak
Sierra Hull's Website
Rounder Records

Don Gallardo - When the Daylight Whispers Darling

2011-04-26T02:09:00.001-04:00

Nashville-based singer-songwriter Don Gallardo's newest release, When the Daylight Whispers Darling, is the follow-up to 2009's Sweetheart Radio Revolution, etc., which gained listeners and a fan-following nationwide with its folk-tinged song. But, with Neilson Hubbard (Kim Richey, The Apache Relay) at the helm producing and a new backing band, How Far West, the album's Music City inspiration makes When the Daylight Whispers Darling more country than his previous release.

Instantly, the album's country influence is obvious with the twangy opener, “Time Pass By” with a toe-tapping beat and Dobro that hooks you right away. Following the opener, Gallardo offers up another upbeat country-tinted track, “Home,” which is flooded with mandolin and words of wisdom, “Home is in your heart/ Everywhere you've been my friend is home.” This song is pure down-home goodness. Then, Gallardo slows things down with “Rosalee” and “Come Together, Fall Apart.” Two delightfully doleful ballads about lost love and a failed relationship. And, despite the sedate and stripped-down music in “Skin and Bones,” Gallardo's wise lyrics are somewhat encouraging. “Long Black Veil" is the only cover on When the Daylight Whispers Darling. Covered by many artists, most notably Dave Matthews and Johnny Cash, this track is a country tale about a man who has been wrongly accused of murder and executed because he refused to ruin the reputation of his mistress and best friend's wife. Closing the album is a sad tale of lost love in the wistful and haunting “Wichita.”

When the Daylight Whispers Darling is a charming and melodic album overflowing with wonderful country-influenced tunes. This may be Don Gallardo's best effort so far, proving he's a great songwriter with a great future ahead of him.

Purchase When the Daylight Whispers Darling
Don Gallardo's Website

02 Home - Don Gallardo by aibrean

Interview with singer-songwriter Peter Katz

2011-04-25T17:33:00.005-04:00

About a month ago, a friend told me that there was going to be a house concert on April 16 in Parkersburg, W.Va., so I did what I always do; I put it in my calendar and forgot about it. Then, last Saturday, the day I had forgotten about arrived. I got a text from this same friend inviting me to go and I replied that I wasn’t sure if I could. Well, after a couple of hours deliberating, I agreed. Now, I’m so glad that I went, because Peter Katz’s performance was excellent! But, not only was he an excellent performer, he’s a great guy.

Peter is one of the most promising singer-songwriters coming out of Canada. He has an uncanny ability to write songs that are more than just songs. Each word, each note, and each phrase are carefully and thoughtfully placed giving every second of his album, First of the Last to Know, meaning and emotion. And, the same could be said about his performance. An emotionally involved and musically mesmerizing experience, showing his intimate audience that a songwriter can sing and write about more than just angst-laden love, but love, life and sorrow on a grander scale.

While watching Peter sing, I was extremely impressed with the level of his performance. Even though he was only performing for a small group of people, he performed as if he were centerstage at Radio City Music Hall. I could just feel and see the joy emanating from every pore on his body. He’s obviously happy doing what he’s doing – singing and sharing his songs.

When the concert was over, Peter was kind enough to grant me an interview. That night, after interviewing him, I left with the clear impression of a friendly, down-to-earth yet charismatic guy who just happens to be an extremely bright and talented singer and songwriter.

AW: How did the opportunity to work with Glen Hansard, The Good Lovelies, and Melissa McClelland arise?

PK: The Good Lovelies are very close friends of mine, and they were all in individual projects prior to being in The Good Lovelies. I knew Caroline especially and she came to some of my shows and we played together. And, yeah, they’re just friends and I got to know Kerri and Sue more through Caroline, and became friends and asked them if they would sing on it, and, of course, now they have become hugely famous. I’m just lucky to know them personally and they agreed to sing on it.

With Melissa, we played some shows together and carpooled and did the inevitable singer-songwriter thing in Canada, you get to know people. But, I was actually a fan of hers. I had gone to her shows many times, we played a few shows together which was a big thrill for me and she agreed to sing on the album.

And with Glen, I saw The Frames opening for Damien Rice in Toronto about seven years ago and that was the night I decided to play music for the rest of my life. I was so inspired by the show. After the show, I was so emotional and Glen walked by and struck up a conversation and I poured my heart out to him and he invited me inside and introduced me to Damien Rice and the rest of the band, and then we went out for drinks later. The night I met him was the night I decided to do music forever, and, yeah, it was like coming full circle, especially when I got to open for him. That was the moment I dreamt of, when I first saw him seven years prior was to be up on stage, sharing the stage with him. The show that I did with him during their encore he called me out and I played “'Till You Come Home,” the whole band backed me up and that was sort of validating for me.

AW: I read that it took 4 months of meetings with Rob Szabo to fine tune First of the Last to Know, that preparation along with recording seemed like a long time. Can you tell me about it?

PK: Yeah, we started meeting in November of 2008 and didn’t start recording until April 2009 and that was just me and him and the guitar, nothing else. No production, just making sure every single lyric, everything was thought out and was meant to be there. And, that was a really amazing and intense process, but it meant that when it came time to sit down and record, all of that work was out of the way and then it was more of a free process, and, you know, you’re ready now, just do it. And, of course it takes all of the time to have written the song before you start that work.

AW: What kind of feelings did you have during this process?

PK: To me, it’s like a really clear image. First of all, it was actually my fourth record. Every time with my old records, I never ended up with something I was really, really happy with. I mean I did my best at the time and I’m proud of it, but it never sounded the way it was suppose to sound in my brain and in what I imagined. In First of the Last to Know, I knew I had a batch of songs that I could potentially be happy with, but I didn’t know I would end up on the other side. The image that kept coming to my mind was standing on one side of this river, and there’s this raging river, and on the other side you see where you want to end up, but there’s no guarantee that you’re going to make it to the other side where you have gotten that vocal take that you know you can do but haven’t done it yet, so are you going to do it? So, that was kind of the feeling and I had a lot of anxiety, like am I going to make it to the other side, am I going to be able to do this, is it going to sound the way I want it to sound? It was the first time that in the end, that I was like yes, I’m really happy with this, and, of course, I feel like I still can do better, but I feel like this is the best of that and now I’m ready to move on.

AW: What inspired you to write “Oliver’s Tune” and “The Fence”?

PK: “Oliver’s Tune,” I was a big fan of Oliver’s. For years before he passed away, I was a fan of his music. And, I heard him on the radio promoting this final concert that he was doing and talking about how when the doctors gave him the news that he would be dying very soon, how he had this feeling of peace all of a sudden because he realized he was living his life exactly the way he wanted to be living it. Part of the back story of why that can be so hard is, when I was 19 I was diagnosed with leukemia which was what Oliver was diagnosed with. In my case it was actually a misdiagnosis. So I had the diagnosis for many months, I wasn’t totally cleared of it the first couple of years. But, I had this experience when I was 19 years old of sitting in this hospital bed, like my body was very debilated and I remember thinking that I might not be anything else.

At the time I didn’t realize how that affected me, but I think it got more intense. Since that happened, I have an inability to plan ahead, because I really know that life can stop at any moment and it’s not like this flaky concept for me, it’s actually very real. In fact, when we were making First of the Last to Know, every step of the way when we would take a break for a week or whenever I would say to Rob, “Ok, Rob, in case I die, make sure you do...” Then he would say, “Why are you saying that to me?” and he was sort of annoyed with me, and I was being completely sincere. I was being really sincere. I was like, you know what, I really want to make this record and I really want it to end a certain way and you know if something happens to me today I want you to know how I want it, and I mean that, and I feel that way now. So, that’s why when Oliver said that it hit me, particularly since he was saying something I really know to be true.

With “The Fence,” I was in University and I was doing a production of the Laramie Project and the director asked me to write the music for the show. I loved the play so much, I just thought it was so amazing and I had seen it earlier and I was so thrilled that we were doing it, so I spent the summer writing that song. I just kept reading and re-reading. There’s this one passage in the play, and it’s a play but it’s all transcript, and there’s a transcript from the trial and the judge had deferred to Matthew’s father as to whether or not to ask for the death penalty of Aaron McKinney. And,the father makes this speech and he talks to Aaron directly and he said; you may think you left my son out there by himself, but he wasn’t by himself, he was with the Wyoming sky, looking at the city lights and in this place he grew up and knew. It was such a beautiful moment in the play. And, I was trying to find the angle, and I was like this is what I need to do, I need to be Matthew in Matt’s voice, in that scene, this is a key part. It’s kind of scary for something that people are going to listen to and you know is something that is really important to you, you just sometimes write a song and then at the end are like “Oh, wow, look at what I ended up with.” Then, that song and that play, after the show, the director said, maybe you should be doing this as a career and this was the same time I had seen Glen and Damien Rice, so that song and meeting Glen, was kind of like, ok, this is it.

AW: When and how did you first become interested in music?

PK: Well, music was always a part of my life. When I was four years old I started playing violin, and after that I started playing piano, and I played violin and piano most of my childhood. When I became a teenager, of course I wanted to play guitar because most of my heroes played guitar. It was always a part of my life, but I never thought I would be a musician. It wasn’t even really like a dream of mine, just wasn’t really a possibility. I thought I was going to be an engineer. I definitely wasn’t the kid who was like I’m going to be a musician, it sort of came to me late.

I think we’re all looking for a way to express ourselves in some capacity and when I honed in on songwriting, you can write this little thing, this little three minute thing, and it’s not so overwhelming like a novel or something like that, it’s this little thing, and it’s like me and I get to stand there as Peter, as me, and sing a song, my lyrics, and it doesn’t matter if I’m too tall or too big or whatever. I was really self-conscious about that stuff, but it was like I don’t have to be anybody other than me, that I get to present this little thing I wrote and I get to sing it, for me it’s the perfect way of expressing myself.

Ben de la Cour - Under a Wasted Moon

2011-04-24T12:50:00.003-04:00

Under a Wasted Moon is a beautifully bleak and stark album with lyrically rich songs that spin tales of a hanging, love and leaving. Ben de la Cour, a twenty-something folk singer, echoes the aged and wisened music of Townes Van Zandt, Leonard Cohen, and Nick Cave.

De la Cour grew up in Brooklyn and has lived in London, Cuba and Paris. A former amateur boxer and self-taught guitarist, de la Cour fronted the London-based doom-metal band Dead Man's Roots with whom he released two critically acclaimed albums. Over time, he gave up the metal but kept the doom for a raw, bare bones acoustic folk and in 2009 he settled in New Orleans.

The poetically forlorn “Down in Babylon” leads the album with de la Cour gently singing of a leaving lover. “Sobriety and the Woman” is a sparse and soft lament imbued with Leonard Cohen. My favorite, “The Ballad of John Runner,” de la Cour leans heavily on a Townes Van Zandt style of phrasing and storytelling. A song about one of the first authorized hangings in the land that is now called Alberta, Canada. However, de la Cour does take artistic liberties but beautifully recreates the story of how a Cree guide Ka-Ki-Si-Kutchin (also called The Swift Runner) was convicted of killing and cannibalizing his family in the winter of 1878. And, although “The River” is lyrically awkward, there is a sincerity in de la Cour's naturally low voice that turns this song into melancholic loveliness. But, even with the instrumentally lean and trudging banjo-based track, “Rabbit Starvation,” Under a Wasted Moon deserves to be heard. A good debut full of dark, interesting, and captivating songs demonstrating that de la Cour has the substance of a great folk singer.

Purchase Under a Wasted Moon
Ben de la Cour's Myspace

Dawes Announces New Record!!

2011-04-21T13:50:00.003-04:00

LA-based indie-roots rockers, Dawes, announces the release of their second album, Nothing Is Wrong, on June 7th via ATO Records. This new album is the follow-up to their 2009 critically accailmed debut, North Hills.

Dawes is offering the record's first single, "If I Wanted Someone," to download in exchange for an email address. The single showcases Taylor Goldsmith's distinctive voice, a harmonized chorus, rockin' piano and kickass electric guitar. It displays a great amount of growth while maintaining the memorable Dawes Laurel Canyon sound.

Dawes' Website

Dawes -- If I Wanted Someone by aibrean

Mount Moriah - Mount Moriah

2011-04-21T01:22:00.001-04:00

Long before teaming up with Heather McEntire of Bellafea, Jenks Miller of Horseback was in a band called Mount Moriah, but since coming together the two have been playing uniquely beautiful music.

Their self-titled debut album is an eight-song collection of experimental folk at its finest and features collaborations from members of Megafaun, Gayngs, St. Vincent, and Bowerbirds.

The album showcases simple but intelligent, well-written songs with great arrangements that allow McEntire’s voice shine. In the opening track, “Only Way Out,” the melancholy pedal steel guitar nicely compliments McEntire’s warm and slightly countrified vocals. The driving beat and infectious melody make “Social Wedding Rings” a likable standout just as the very catchy “Lament” grabs you in the beginning with every layer until the band completely captivates you with its hooky chorus. The album then takes a slower turn with the sparse, somber and sorrowful “Old Gowns” and closes on the same note with the emotionally naked and instrumentally stripped “Hail, Lightning.”

Despite the fact that the band hails from North Carolina and the audible Southern-influences, I wouldn’t exactly classify Mount Moriah’s eight-song offering as Southern music, but I would classify this record as a stunning and outstanding example of experimental folk. Mount Moriah’s unpretentious yet intelligent songs combined with their beautiful melodies, great hooks, and McEntire’s lovely vocals make this album one experiment that didn’t go awry.

Purchase Mount Moriah
Mount Moriah's Website
Holidays for Quince Records

01 Only Way Out - Mount Moriah by aibrean

02 Social Wedding Rings - Mount Moriah by aibrean

Bon Iver Makes Album Announcement Official With Details

2011-04-20T14:29:00.000-04:00

For weeks now, I have been posting about Bon Iver's forthcoming, sophomore release. It was only a week ago that Bon Iver released a mysterious fifty-second video tease of the album hinting to its cover art and sound. But today, Justin Vernon and Bon Iver have made it official with the announcement of the date and title as well as unveiling the cover art and track list. The record entitled, Bon Iver, will be out on June 21st via Jagjaguwar.

Recorded and mixed over a three-year period at a former veterinarian's clinic in Wisonsin, Bon Iver will feature regulars Sean Carey, Mike Noyce, and Matt McCaughan who will contribute to the album. Volcano Choir members, Jim Schoenecker and Tom Wincek will also lend a helping hand with processing, while Rob Moose, who has worked with the National and Antony, assisted with string arrangements. The record also includes pedal steel player extraordinaire Greg Leisz and a horn section that features Mike Lewis, CJ Camerieri, and Colin Stetson. And, the beautiful cover art as seen above, is from Minnesota artist Gregory Euclide.

Track List:
1 Perth
2 Minnesota, WI
3 Holocene
4 Towers
5 Michicant
6 Hinnom, TX
7 Wash.
8 Calgary
9 Lisbon, OH
10 Beth/Rest

Untitled from Bon Iver on Vimeo.

Peter Katz - First of the Last to Know

2011-04-20T13:43:00.000-04:00

There’s a line from Peter Katz’s opening song on First of the Last to Know “Do you believe in what you do?”, and I think most people familiar with Peter or his work could answer a resounding “YES!" When talking with him you get a strong sense of this belief. He not only believes that singing and songwriting are great ways of self-expression, but that he has a sense of responsiblity to himself and his listeners to create music and songs that are better than the ones before.

A few years ago, Peter went to a Damien Rice show where The Frames opened which led to one of the most pivotal moments in his life and career – a chance meeting with Glen Hansard. Hansard invited him back, introduced him to everyone and they shared post-show drinks. That night, Peter’s fate was sealed.

Now, on Peter’s new album, First of the Last to Know, his friend, Hansard, added backing vocals to the title track. However, Hansard isn’t the only well-known contributor, The Good Lovelies lent their lovely harmonies to the beautifully forlorn “’Till You Come Home” and singer-songwriter, Melissa McClelland, provided vocals on “Let Me Go.”

But, it’s Peter’s thoughtfulness and sincerity on the poignant songs “Oliver’s Tune” and “The Fence” which transforms First of the Last to Know from great to amazing. “The Fence” is a profoundly touching and incredibly stirring impression of Matthew Shepard’s last earthly hours. With a palpable sadness and hints of confusion and innocence, every note and word is heart wrenching. Peter’s haunting vocals are the embodiment of Matthew. The inspiring “Oliver’s Tune” is about Oliver Schroer’s battle against leukemia and his final show, and, though it’s a sad story, there’s a feeling of joy and an air of celebration for life and music throughout the song.

First of the Last to Know is a beautiful album that impresses on the quality and integrity of its tracks. Each song is more than just a song; they’re fully realized feelings and thoughts in which Peter Katz conveys in an emotional and earnest way. And, for me, it’s the most rewarding listening experience I’ve had in recent memory.

Purchase First of the Last to Know on iTunes
Peter Katz's Website
Free Peter Katz Music Downloads

The Apache Relay - American Nomad

2011-04-19T22:29:00.001-04:00

Nashville indie-band, The Apache Relay, have just released their sophomore album, American Nomad, on April 12^th under Thirty Tigers. Produced by Neilson Hubbard, the record is a collection of fresh and exuberant tunes that pay homage to the road, and suggests that the band will not be tied down – deftly moving from their folk rock base, to a Motown-inspired track, and a cover of Springsteen’s “State Trooper.”

American Nomad starts with a perfect road song, “Can’t Wake Up.” Its breezy vibe is as easy as a Sunday drive, so roll down those windows and let the ride begin. The next song, “Power Hungry Animals,” is a catchy little folk number with great harmonies which leads into the instrumentally lush and layered “Sets Me Free” and “Mission Bells.” A cover of Bruce Springsteen’s “State Trooper” builds with intensity until it reaches a blistering and badass electric guitar solo at the end of the track. And, the incredibly contagious chorus in “Lost Kids” naturally persuades you to sing along, while the band slows things down with “Watering Hole,” an impressively smooth Motown-inspired groove. The band then speeds things back up again with the lively title track, but calmly closes the album with “Some People Change.”

The Apache Relay couldn't have released American Nomad at a better time. With Spring in the air and the beginning of the roadtrip season, American Nomad is a collection of perfect sing-a-longs and open-road anthems.

Purchase American Nomad
The Apache Relay's Website

02 State Trooper by The Apache Relay

01 American Nomad by The Apache Relay

City & Colour Is Only Teasing

2011-04-19T14:15:00.001-04:00

City & Colour has offered up a teaser video for his new album, Little Hell, which is due out June 7th. Last month, Dallas Green released "Fragile Bird," a rather un-City & Colour song; however, this clip appears to feature another new track from the album -- one that sounds more like my beloved City & Colour.

This video is said to be a snippet from a larger documentary on the making of Little Hell. As of now, there are no details regarding its release.

City & Colour's Website

Ha Ha Tonka - Death of a Decade

2011-04-19T12:46:00.005-04:00

Missouri quartet, Ha Ha Tonka, recently released their third album, Death of a Decade, on which they rock out with their mandolin out. A stunning and interesting record with a sense of urgency yet with a feeling of familiarity due to their blend of indie rock and roots, more specifically Southern rock and bluegrass. Recorded in a 200-year-old barn located in New Paltz, New York, the floor-board rattling and wall-shaking can clearly be heard throughout their songs, sounding like the Ozark’s answer to Arcade Fire.

Death of a Decade sees each band member contributing and relying less on Brett Anderson’s guitar and more on his lilting mandolin, but most of the raucousness derives from Lennon Bone’s pounding percussion and Luke Long’s driving bass. Also, on this record we find the band more united producing beautiful four part harmonies. The album’s opener, “Usual Suspects,” which propels Death of a Decade into another atmosphere with its soaring mandolin riffs. And, while hitting an up-tempo stride, the band seamlessly flows right into the next track, “Westward Bound,” which abounds with four part harmonies and more mandolin. “Made Example Of” has a flying mandolin and boisterous chorus while “Jesusita” starts softly then breaks into an enthusiastic chorus, but both contain an Arcade Fire quality. The album slows down with some delicate picking on the acoustic break, “Hide It Well,” and continues in a resting mode on “Dead Man’s Hand” and throughout the second half of Death of a Decade. The highlight of the second half is the mandolin melody and harmonies on the penultimate track, “No Great Harm.”

After listening to Death of a Decade, you will no longer look at or listen to the mandolin in the same way. And, by centering the songs around one of the most underutilized and under respected instruments in the rock world, Ha Ha Tonka has created one of their best albums, if not their best.

Yes, mandolin players, this is your record. Ha Ha Tonka is calling out to you, telling you that you’re not forgotten and you too can rock that mandolin. Hearken to their cry – Mandolin players of the world unite and start a rock revolution of your own.

Purchase Death of a Decade
Ha Ha Tonka's Website
Bloodshot Records

Usual Suspects by Ha Ha Tonka by Bloodshot Records

Fax Holiday - Rope & Wine (Free)

2011-04-18T18:17:00.001-04:00

Fax Holiday is a little known indie-folk band from the Boston area, who self-released their album Rope & Wine in February. A record with all of the hallmarks of dream-pop, indie-folk with touches of melodic and ambient noise from the guitar, violin, organ, harp, piano,and percussion. It's a good album to play when you need to chill out after a hard day.

Performing, recording and working hard to make a name for themselves, this little-indie-band-who-could has finally gained some recognition. On May 1st, Fax Holiday will be playing a show with an up-and-coming indie-folk artist, Haroula Rose at T.T. The Bears in Cambridge, Massachusetts. So if you can, go and support these great independent artists. Also, for a small contribution or nothing at all you can download Rope & Wine at bandcamp.

Fax Holiday - Sunk by Fax Holiday

Fax Holiday - Dropping Out by Fax Holiday

Jellyspine Jenkins - lo-fi and faded (Free)

2011-04-18T12:47:00.001-04:00

lo-fi and faded from Jellyspine Jenkins is a homemade production that was recorded around and outside of his house. It's a little folk, a bit of blues, a tad country and a whole lot of good. lo-fi and faded doesn't contain one bad song. It opens with a great bluesy track "dust and bones" and closes with a stripped down flok tune "color of the birds." This album is all meat and no fillers. So, check out lo-fi and faded, it's free to download on bandcamp.

Bar Song - Jellyspine Jenkins by aibrean

Rise & ReviewShine Monday: Owen Temple - Mountain Home

2011-04-18T06:00:00.009-04:00

Every Monday morning, I post a review for at least one ear-catching album submitted via ReviewShine and this week's album is a soon-to-be Southern favorite from an artist who is already a Texas favorite...

Mountain Home, Owen Temple’s sixth studio record, is my first encounter with Austin, Texas’ best kept secret. Set to release on April 26th, it’s a collection of ten incredible songs which tell the stories of uncommon and common folks living in small towns and on the fringes of life and the economy.

Recorded in Austin, the city’s influence and Temple’s love of folk, blues and bluegrass can be heard throughout the album. “I love traditional music – old songs that cross time and space to tell you what the people cared about…With my songs I’m trying to get down some of the stories of this place,” said Temple.

Produced by Gabriel Rhodes, the album’s live performance feel gives the songs on Mountain Home an authentic and straightforward quality that allows the natural storyteller in Temple to shine. A stellar songwriter, Temple co-wrote the record with some of the musicians who contributed – Adam Carroll, Scott Nolan, and Gordy Quist from The Band of Heathens. While other high-caliber musicians like Charlie Sexton (Bob Dylan) on baritone guitar and bass, Bukka Allen (The Bodeans) on keyboards, Tommy Spurlock (Delbert McClinton, Rodney Crowell) on pedal steel, and Rick Richards (Ray Wylie Hubbard, Hayes Carll) added their expertise bringing each song to life and giving each track its own individual spirit.

If you’re unfamiliar with Owen Temple like I was, Mountain Home is a great introduction to this remarkable songwriter’s work. It contains everything that makes a record timeless – terrific songwriting, excellent music, and the familiarity of traditional Southern comfort.

You can purchase Mountain Home at Owen Temple's website

02 Desdemona - Owen Temple by aibrean

05 Danger And Good Times by aibrean

Sarah Jarosz - "Annabelle Lee"

2011-04-15T16:50:00.000-04:00

Sarah Jarosz is sharing her new single, "Annabelle Lee," which will be featured on her upcoming release, Follow Me Down, due out May 17th on Sugar Hill Records.

To win a copy of the album go to Sarah's website for details.

Sarah Jarosz -- Annabelle Lee by aibrean

Johanna Divine - Mile High Rodeo

2011-04-15T16:05:00.002-04:00

Johanna Divine’s debut album, Mile High Rodeo, is an amazing adaptation of the comfortable sound of Southern music. It’s full of rich country and western sounds influenced by her home state of Tennessee and a Cajun nuance inspired by her current state of residence, Louisiana. The varied tempo and styles of song ranging from ballads to honky-tonk foot-stompers, Western swing and rockabilly are perfect vehicles for Johanna’s sultry vocals and outstanding songwriting.

With production assistance from master engineer and fiddle player, Dirk Powell, the record is heavily accented by a Cajun influence. Drawing from Southwest Louisiana’s Cajun roots bands like The Red Stick Ramblers and Balfa Toujours, the rich full band sound superbly supports Johanna’s warm and powerful voice creating songs that are as humid as a Louisiana summer night and as spicy as the local cuisine.

The album begins with a classic country track, “Done ‘em In,” recollecting the people and good times turned bad in a lonely bar room. Then, the fast and hard-driving country-rock of “Hijacked Again” gives way to “Been Gone Awhile” which has a unique sound that I can’t exactly put my finger on. It’s smoky tone has almost a bluesy vibe with a 60s pop-rock feel. The piano and fiddle driven “Lone Ranger” is a Western swing ballad, while Johanna gives a Patsy Cline-like performance on "Bright Side." And, “A Little Class” has a sound reminiscent of a New Orleans dive bar while the piano bar ode “Lulu Saint Marie” tells the tale of a hard-drinkin’ yet lovable lady who is “more woman than you can handle, and more man than you’ll ever be."

Mile High Rodeo is an eclectic and extraordinary example of the Southern music renaissance. Johanna's amazing songwriting talent and vocals combined with the album's toe-tapping and interesting blend of Americana plainly demonstrates that Johanna Divine is on the forefront of roots music.

Purchase Mile High Rodeo
Johanna Divine's Website

01 Done 'Em In - Johanna Divine by aibrean

Bon Iver Gives Us A 50-Second Taste Of New Album

2011-04-14T19:39:00.000-04:00

Bon Iver will be releasing a follow-up to 2008s For Emma, Forever Ago in June. While there have been rumors about the new album, Bon Iver hasn't given us any more details, except for this 50-second video clip which has been posted on the band's website and I have reposted here. The preview is way too short, but from what tiny crumb Bon Iver has thrown us, the album sounds slightly awesome.

Untitled from Bon Iver on Vimeo.

My Morning Jacket Finally Releases New Single "Circuital"

2011-04-12T12:22:00.001-04:00

For the past six weeks, the My Morning Jacket has been offering a free download of a live track from their five-night gig at New York City's Terminal 5 to generate hype for their upcoming album, Circuital, which is due out May 31st on ATO Records. It will also be released as a Kentucky-Only 12" single on Record Store Day.

Circuital is available to pre-order through the band's website. Among the different packages available a limited edition deluxe package that includes an exclusive 30 minute documentary DVD, and high quality lithograph portrait taken by Danny Clinch is being offered. Ten of these deluxe packages will come with a "Golden Ticket" giving an opportunity to receive an original signed print by the band and Clinch.

My Morning Jacket -- Circuital by commonfolkmusic

Rise & Review Shine Monday: Rebecca Pronsky and Delphia Blize

2011-04-11T06:00:00.010-04:00

Every Monday morning I feature one album submitted to me through ReviewShine, but, once again, my inbox is overflowing with submissions. So, this week I'm featuring a couple of albums that have caught my ear...

First, I would like to start with Brooklyn native, Rebecca Pronsky's second album, Viewfinder. The opening song, "Hard Times," is an instant attention-getter and country hit. It aptly introduces the album’s solid country influence and overall theme of lost innocence, cold reality, doubt and relationships. Its strong and rather menacing twangy opening guitar line and galloping rhythm intensifies the serious warning that could apply to a friend or as a smart and relevant allegory on the current economic situation. “Day of the Dead” continues the foreboding country influence while “Give Up Easily” gives a bubbly 80s vibe which could be attributed to her childhood. And, in spite of the seemingly sad tale of a woman who is neither someone’s wife nor someone’s daughter in “Mercury News” there is an upbeat tempo and powerful vocals. I should also note that in the past, Rebecca has been praised for her jazz-trained voice which is evident in the smoldering “The Wheel” and the sensitive yet strong “Fragile World.” Unquestionably, these are just a few songs that make Viewfinder one of the finest singer-songwriter records of 2011.

Download Viewfinder via Bandcamp
Rebecca Pronsky's Website
Nine Mile Records

01 Hard Times - Rebecca Pronsky by commonfolkmusic

Minneapolis singer-songwriter, Delphia Blize, has self-released her debut album West River which features contributions from musicians like Jonathan Kingham (Shawn Colvin, David Wilcox), John Munson (Semisonic, Trip Shakespeare), Jacqueline Ultan (Jelloslave) and Darren Jackson (Kid Dakota). Raised in Boston and in a small town in Vermont, Delphia named the album for the West River in Vermont. After going to college in Minnesota, she settled down in Minneapolis where she found her musical niche and won an award for best song in 2009's Women in Music MN. West River is unrefined yet well-done with down-to-earth songs about love, loss, and faith that are wise, honest, and sometimes sad while its quiet and sparse instrumentation gently surrounds Delphia's delicate vocals. Its a great debut album from a folk musician with a lot of promise and heart.

Purchase West River
Delphia Blize's Website

01 Seventeen Miles - Delphia Blize by commonfolkmusic